Te Ahurei Toi o Tāmaki Auckland Arts Festival recorded more than 188,000 attendances across its 2026 programme, highlighting its growing contribution to Auckland's cultural life, community wellbeing and city centre vibrancy.
Today, The Auckland Festival Trust released its 2026 Impact Report, confirming the Festival's contribution across cultural, social, community and economic outcomes.
The report highlights a significant increase in the Festival's impact from the previous year. Overall attendance increased 87% reflecting the Festival’s continued focus on creating opportunities for Aucklanders to engage with arts and culture through a mix of world-class performances, new Aotearoa work, free public experiences and community events.
Chair of The Auckland Festival Trust Sarah Judkins says: "The Festival continues to play an important role in Auckland's cultural, social and economic life. These results demonstrate the value of investing in experiences that bring people together, celebrate creativity and contribute to a vibrant and connected city."
"While attendance remains an important measure of success, the Festival's impact can also be seen in the way it supports Auckland's identity, creates opportunities for communities to participate in cultural life, contributes to city centre activity and helps make Auckland a place where people want to live, work and visit."
The Festival contributed an estimated $24.8 million to Auckland’s economy, up 41% on 2025 generating impact through visitor spending, hospitality and accommodation across the city.
A key driver of attendance growth in 2026 was the Festival's expanded free programme, supported through funding from Auckland Council Events.
Reimagined for the 2026 Festival, the Festival Garden became a vibrant gathering place in the city centre featuring 47 free events on the rova Sound Stage including opening event Sau Fiafia! Boogie Down with Island Vibes.
Whānau Day took over Aotea Square with performances on the rova Sound Stage, a silent disco in the Spiegeltent an art hunt in the precinct and numerous activities for tamariki to participate in. Whānau Day saw a record 4,000 attendances in one day.
Artistic Director Bernie Haldane says the Festival's success reflects a commitment to ensuring people can connect with arts and culture in ways that suit them.
"One of the most encouraging outcomes from 2026 was seeing more people participate in the Festival in different ways. Whether attending a major international performance, discovering a new, New Zealand work, gathering with friends in Aotea Square or spending time with whānau at a free event, the Festival is designed to create opportunities for connection through arts and culture."
"As we look ahead to future Festivals, we remain focused on creating experiences that are ambitious, accessible and reflective of the communities that make up Tāmaki Makaurau."
Broad audience appeal was demonstrated through sellout performances by the Shanghai Symphony Orchestra in the Auckland Town Hall and Werewolf a unique theatre experience created by contemporary Aotearoa theatre makers Binge Culture.
BIG HORNS, a reimagining of the big band genre with R&B soul and funk packed the Auckland Town Hall while audiences attending Ihi. Wehi. Mana. were the first to hear the Festival’s commissioned waiata of the same name composed by the late Robert Wiremu.
The Festival's commitment to accessibility, inclusion and participation has been recognised nationally through a nomination for Diversity, Equity and Inclusion Event of the Year at the 2026 New Zealand Event Awards.
Daniel Clarke, Tātaki Auckland Unlimited Director of Auckland Live, said investing in major arts and cultural events supports their continue to as they play an important role in promoting Auckland’s city centre and reputation.
"Arts, performance and cultural events such as the Auckland Arts Festival help bring people into the city, support local businesses and contribute to the energy and vibrancy that makes Auckland an attractive place to live and visit. The Festival builds on our reputation as a city known for exceptional arts and creative experiences. The Festival is an important part of Tāmaki Makaurau Auckland’s cultural calendar showcasing exceptional artistic works and creating more reasons for people to visit.”
Planning is well underway for the 2027 Auckland Arts Festival with the programme due to be released in late October 2026.
ASB CLASSIC CHAMPION CONFIRMS RETURN TO DEFEND WOMEN’S TITLE IN AUCKLAND
Caption: Elina Svitolina in action and with the trophy after her victory in the women’s final at the 2026 ASB Classic in Auckland. (Photosport)
One of the world’s most accomplished tennis players, Elina Svitolina, has confirmed she will defend her title at the 2027 ASB Classic in Auckland.
The world’s ninth-ranked female is the first player confirmed for the ASB Classic in Auckland, with tickets now on sale.
The WTA Women’s ASB Classic will be staged from 4-10 January, followed by the ATP Men’s from 11-16 January, both at the Manuka Doctor Arena in downtown Auckland.
Svitolina won the first of her two titles this year with a straight-sets victory over China’s Wang Xinyu in January’s ASB Classic final. She also prevailed in the final of the BNL Italian Open in Rome over world no. 3 and two-time ASB Classic winner, Coco Gauff.
The 31-year-old Ukrainian has taken her career tally to 20 tournament wins, and this year she also finished runner-up in Dubai, a semi-finalist at the Australian Open, Indian Wells, Stuttgart and Toronto along with four quarterfinals including Roland Garros.
“We are thrilled that Elina will return to defend her title in Auckland,” said Tournament Director, Nicolas Lamperin. “Elina has moved back into the elite group at the top of the women’s world rankings, and her decision to defend her title in Auckland is massive for our tournament.”
Svitolina rose to a career-high No 3 in the world before a lengthy break in 2022 and 2023 for the birth of her daughter, and she is delighted to be working her way back to the top echelon.
“It’s been a great season for me so far.” said Svitolina “When I arrived in Auckland at the start of the year, I had really low expectations for the season and for the tournament. But match by match I gained confidence and I feel that it gave me the first step towards a great year so far in 2026.
“For me it is always important to play well in the first tournaments. I always aim for the good result – as a check on my game and my physical results.
“I am very happy to be back in Auckland again and I will do my very best to play well there again.
“I really enjoy the city. I love the sights. The tournament itself is very well organised and of course the people – the crowds make it very special. It is always a packed stadium and great atmosphere which gives the motivation to play well.”
Lamperin said there are considerable pressures on the world’s top-10 players to compete in higher ranked and more affluent tournaments.
“We are privileged to host not only one of the world’s premier players, but also one of the most respected people in the game.”
Lamperin is confident of another world-class field for the ASB Classic.
“I am in negotiation with several high-quality players and will be heading to the US Open where we hope to be in a position to name more major players in the coming weeks.”
The ASB Classic is New Zealand’s premier international tennis tournament featuring both WTA 250 and ATP 250 events, which attracts leading players from around the world to Auckland each January.
Running from 4-16 January 2027, the tournament is a highlight of the Auckland summer, combining world-class professional tennis with a relaxed, vibrant atmosphere, great food and hospitality, and plenty for fans to enjoy both on and off court.
Tickets on sale now: https://asbclassic.co.nz/
DAY WE RAN ANNOUNCE NEW ZEALAND SHOW AFTER SOLD OUT AUNZ TOUR
Celebrating the release of their debut EP, Day We Ran are stoked to be back for another show in New Zealand, following their sold-out AUS/NZ tour in early 2026.
After selling out their tour earlier this year, the guitar-driven alternative rock band return to the stage, bringing their anthemic sound, driving riffs and soaring harmonies to fans across the region.
Day We Ran will be performing at The Tuning Fork in Auckland on Sunday 27 December.
The return comes at a huge moment for Day We Ran, who have continued their rapid international rise throughout 2026. With festival appearances at Outside Lands, Lollapalooza and Reading & Leeds, the band have been making their mark on some of the world's biggest stages.
Known for their energetic live shows and distinctive guitar-driven sound, Day We Ran have quickly built a dedicated global following. Their debut EP, Naked At Your Door, was released in July 2026, marking another milestone for the rapidly rising band.
With more than 1 million monthly listeners on Spotify and over 50 million streams across their first four songs, Day We Ran have established themselves as one of the most exciting emerging alternative rock acts on the international stage. Their breakout single “Foaming” has surpassed 23 million Spotify streams, while also featuring in the hit Netflix series Outer Banks.
The upcoming New Zealand show will see Day We Ran giving fans another chance to experience their distinctive blend of guitar-driven alternative rock, soaring harmonies and cinematic storytelling live.
Tickets Day We Ran will be available to purchase by the General Public on Thursday August 27 at 12pm local time.
An artist presale will commence on Wednesday 26 August at 12pm running until Thursday 27 August at 11am local time.
The Live Nation Presale starts Wednesday 26 August at 12pm until Thursday 27 August at 11am local time or until allocation is exhausted. To purchase presale tickets, sign up now at livenation.co.nz/register
Tickets and further information at livenation.co.nz
DAY WE RAN
AUSTRALIA & NEW ZEALAND 2026
THE TUNING FORK, AUCKLAND
SUNDAY 27 DECEMBER
TICKETS ON SALE THURSDAY 27 AUGUST, 12PM NZST
Artist Presale: Wednesday 26 August 12pm, until Thursday 27 August 11am local time.
Live Nation Presale: Wednesday 26 August 12pm, until Thursday 27 August 11am local time.
For complete tour & ticket information, visit: livenation.co.nz
ABOUT DAY WE RAN
Day We Ran is a guitar-driven alternative rock band creating their own world of anthem rock, built around driving riffs, three-part harmonies and story-driven melodies.
Following a year supporting the likes of Sam Fender and The Kooks on their UK Arena Tour, 2026 has seen the band embark on their debut headline tour across North America, alongside a major international touring schedule.
With over 1 million monthly listeners on Spotify, Day We Ran’s first four songs have reached more than 50 million streams, with debut single “Foaming” surpassing 23 million Spotify streams. The track has also featured in the hit Netflix series Outer Banks and on Apple Music’s Viral Alternative playlist.
Their debut EP, Naked At Your Door, arrived in July 2026, featuring six tracks including “Lady”, “Carolina”, “Used To”, “Seeing Colour” and “Tell Me I’m Wrong”.
With a distinctive visual identity, cinematic storytelling and an unmistakable sonic approach, Day We Ran continue to build a dedicated following both locally and internationally.
MISS SAIGON TO TAKE CENTRE STAGE IN CONCERT PRODUCTION IN WELLINGTON AND AUCKLAND IN 2027
One of the world’s most powerful and enduring musicals, Miss Saigon, comes to life in Aotearoa in 2027, with G&T Productions presenting a spectacular semi-staged concert production in Wellington and Auckland.
The production will open in Wellington at the Michael Fowler Centre from Friday 12th March, before heading to Auckland’s Kiri Te Kanawa Theatre from Friday 2nd April, bringing the epic score of Miss Saigon to life through the incredible NZ talent touring to both centres, a 40-strong local choir and a live orchestra.
Created by the legendary songwriting team behind Les Misérables, Claude-Michel Schönberg and Alain Boublil, Miss Saigon is a sweeping tragedy of love, sacrifice and survival set against the turmoil of the Vietnam War.
At its heart is the story of Kim, a young Vietnamese woman who falls in love with American soldier Chris. When Saigon falls, they are separated, leaving Kim to raise their son alone and wait for Chris to return. Their story unfolds alongside the Engineer, a ruthless survivor determined to escape Vietnam in pursuit of his own version of the “American Dream”.
The roles of Kim and the Engineer will be played by Maya Handa Naff and Kyle Chuen, bringing extensive musical theatre and stage experience to two of the production’s central characters. Handa Naff, an American actress now based in Aotearoa, has previously played Kim in the United States. Additionally, Laurence Mossman will take on the role of Thuy, returning “home” to New Zealand after playing the role in the Australian and international tours of Miss Saigon.
G&T Productions producer Grant Meese says the concert format offers audiences a unique opportunity to experience the extraordinary score of Miss Saigon in a way that puts its music and performers front and centre: “There is something incredibly powerful about hearing this music performed live by an exceptional orchestra, a large choir and some of New Zealand’s finest musical theatre talent. We can’t wait to bring this production to audiences in Wellington and Auckland in 2027.”
Director Hamish Mouat says: “Our concert series is about celebrating the music that brings the story of these stunning shows to life. With Miss Saigon, we have an extraordinary score, incredible vocal arrangements and some of the most moving musical theatre ever written. After being absent for over 15 years from Wellington and Auckland’s stages, Miss Saigon in Concert is the must-see musical of 2027.”
Miss Saigon will feature an epic score including some of musical theatre’s most recognisable songs, including I’d Give My Life for You, Why God Why, Bui Doi and The Movie in My Mind.
The production marks G&T Productions’ third concert-style musical following Chess in 2022 and The Music Man in 2023, both staged at the Kiri Te Kanawa Theatre. It will be the company’s first concert production to be presented in both Wellington and Auckland. Following on from recent successful collaborations, G&T Productions' is proud to be partnering with both Capital Theatre Trust in Wellington and North Shore Music Theatre in Auckland in presenting this concert production.
Further casting announcements will follow at a later date, with local choir and orchestra members joining the production in each city.
Miss Saigon will be presented in Wellington at the Michael Fowler Centre from 12th March, before heading to Auckland’s Kiri Te Kanawa Theatre from 2nd April.
Tickets go on sale from 27th August at ticketmaster.co.nz
MISS SAIGON
Wellington – Michael Fowler Centre, 12 - 21 March 2027
Auckland – Kiri Te Kanawa Theatre, 2 - 10 April 2027
Music by
CLAUDE-MICHEL SCHONBERG
Lyrics by
RICHARD MALTBY Jr. and ALAIN BOUBLIL
Adapted from the original French lyrics by
ALAIN BOUBLIL
Additional Material by RICHARD MALTBY Jr.
Orchestrations by WILLIAM D. BROHN
Originally produced on the stage by CAMERON MACKINTOSH
"Miss Saigon Licensed by Music Theatre International (Australasia) by arrangement with CAMERON MACKINTOSH LTD."
SABREEN ANNOUNCES SOPHOMORE EP FORGET ME WHEN I’M GONE, ALONGSIDE NEW SINGLE “LAND MINES”
One of the world’s most powerful and enduring musicals, Miss Saigon, comes to life in Aotearoa in 2027, with G&T Productions presenting a spectacular semi-staged concert production in Wellington and Auckland.
The production will open in Wellington at the Michael Fowler Centre from Friday 12th March, before heading to Auckland’s Kiri Te Kanawa Theatre from Friday 2nd April, bringing the epic score of Miss Saigon to life through the incredible NZ talent touring to both centres, a 40-strong local choir and a live orchestra.
Created by the legendary songwriting team behind Les Misérables, Claude-Michel Schönberg and Alain Boublil, Miss Saigon is a sweeping tragedy of love, sacrifice and survival set against the turmoil of the Vietnam War.
At its heart is the story of Kim, a young Vietnamese woman who falls in love with American soldier Chris. When Saigon falls, they are separated, leaving Kim to raise their son alone and wait for Chris to return. Their story unfolds alongside the Engineer, a ruthless survivor determined to escape Vietnam in pursuit of his own version of the “American Dream”.
The roles of Kim and the Engineer will be played by Maya Handa Naff and Kyle Chuen, bringing extensive musical theatre and stage experience to two of the production’s central characters. Handa Naff, an American actress now based in Aotearoa, has previously played Kim in the United States. Additionally, Laurence Mossman will take on the role of Thuy, returning “home” to New Zealand after playing the role in the Australian and international tours of Miss Saigon.
G&T Productions producer Grant Meese says the concert format offers audiences a unique opportunity to experience the extraordinary score of Miss Saigon in a way that puts its music and performers front and centre: “There is something incredibly powerful about hearing this music performed live by an exceptional orchestra, a large choir and some of New Zealand’s finest musical theatre talent. We can’t wait to bring this production to audiences in Wellington and Auckland in 2027.”
Director Hamish Mouat says: “Our concert series is about celebrating the music that brings the story of these stunning shows to life. With Miss Saigon, we have an extraordinary score, incredible vocal arrangements and some of the most moving musical theatre ever written. After being absent for over 15 years from Wellington and Auckland’s stages, Miss Saigon in Concert is the must-see musical of 2027.”
Miss Saigon will feature an epic score including some of musical theatre’s most recognisable songs, including I’d Give My Life for You, Why God Why, Bui Doi and The Movie in My Mind.
The production marks G&T Productions’ third concert-style musical following Chess in 2022 and The Music Man in 2023, both staged at the Kiri Te Kanawa Theatre. It will be the company’s first concert production to be presented in both Wellington and Auckland. Following on from recent successful collaborations, G&T Productions' is proud to be partnering with both Capital Theatre Trust in Wellington and North Shore Music Theatre in Auckland in presenting this concert production.
Further casting announcements will follow at a later date, with local choir and orchestra members joining the production in each city.
Miss Saigon will be presented in Wellington at the Michael Fowler Centre from 12th March, before heading to Auckland’s Kiri Te Kanawa Theatre from 2nd April.
Tickets go on sale from 27th August at ticketmaster.co.nz
MISS SAIGON
Wellington – Michael Fowler Centre, 12 - 21 March 2027
Auckland – Kiri Te Kanawa Theatre, 2 - 10 April 2027
Music by
CLAUDE-MICHEL SCHONBERG
Lyrics by
RICHARD MALTBY Jr. and ALAIN BOUBLIL
Adapted from the original French lyrics by
ALAIN BOUBLIL
Additional Material by RICHARD MALTBY Jr.
Orchestrations by WILLIAM D. BROHN
Originally produced on the stage by CAMERON MACKINTOSH
"Miss Saigon Licensed by Music Theatre International (Australasia) by arrangement with CAMERON MACKINTOSH LTD."
JORDAN HUNTER HYLAND ANNOUNCES DEBUT EP WASTE WITH INTIMATE LEAD SINGLE
By day, Jordan Hunter Hyland works as a doctor in Auckland. Outside the hospital, he's spent a lifetime writing songs. Now, after years of balancing medicine with music, the 28-year-old is introducing himself as one of New Zealand's most compelling new indie singer-songwriters with the announcement of his debut EP, Waste, and its haunting lead single of the same name, arriving Saturday 15 August.
Written during a transformative two-year period, Waste emerged as Hyland navigated losing his passion for medicine before gradually rediscovering it alongside a renewed belief in his own creative voice. The result is a deeply personal four-track collection that explores grief, addiction, isolation and the often unspoken thoughts that connect us all.
The EP's first single, 'Waste', offers an intimate introduction to Hyland's stripped-back songwriting. Produced by Chris Perry, the lo-fi track pairs understated instrumentation with quietly devastating lyricism, capturing the emotional weight of feeling disconnected from yourself while searching for a way forward.
Jordan says:
“I didn’t really know how to talk about what was going on, so I wrote songs instead. ‘Waste’ is the first one because it’s the one that doesn’t flinch, it just says it. I don’t know what people will get out of it. I just needed to get it out"
Produced by Chris Perry, Waste allows Hyland's vulnerable songwriting to take centre stage. Across four tracks, he writes with remarkable honesty, finding beauty in life's quieter moments and giving voice to emotions that often go unspoken.
With Waste, Jordan Hunter Hyland marks the arrival of a thoughtful new songwriter whose experiences in medicine and music have combined to create an affecting debut that lingers long after the final note.
'Waste' is available tomorrow, August 15, on all streaming platforms. Presave here!The full EP, Waste, will be released in September 2026.
Waste EP Tracklisting - Jordan Hunter Hyland
Waste
Amphetamines
Open Air
Tryna Drive
Stay connected with Jordan Hunter Hyland:
INSTAGRAM | FACEBOOK | SPOTIFY | BANDCAMP | YOUTUBE | MAIL
DAVE HILL ANNOUNCED AS ADDITIONAL SPECIAL GUEST FOR A PERFECT CIRCLE'S NEW ZEALAND SHOW
Live Nation has today announced acclaimed comedian, musician, writer and actor Dave Hill will join as a special guest on A Perfect Circle's highly anticipated New Zealand tour date this December, alongside previously announced Puscifer.
Hill joins A Perfect Circle's tour following his standout run supporting Puscifer across their 32-date Normal Isn't North American tour earlier this year, bringing his one-of-a-kind blend of stand-up, storytelling and live music to audiences ahead of A Perfect Circle each night.
Originally from Cleveland and now based in New York City, Hill has built an international reputation as one of alternative comedy's most distinctive voices. Described by TheAtlantic as "one of the funniest people alive", his genre-defying live performances fuse comedy, rock music and absurdist storytelling into a show unlike anything else on the road today.
Beyond the stage, Hill has appeared in Unbreakable Kimmy Schmidt, Girls5eva, Inside Amy Schumer, Joe Pera Talks With You, After Midnight, Full Frontal with Samantha Beeand numerous other television productions. He is also a regular contributor to This American Life and Malcolm Gladwell's Revisionist History podcast, where he serves as the resident heavy metal expert.
A lifelong musician, Hill fronts the rock band Valley Lodge, whose track 'Go' has become instantly recognisable as the long-running theme song for HBO's Last Week Tonight with John Oliver. He has also shared stages with the likes of Tenacious D, Bill Murray and His Blood Brothers, Broken Social Scene, Snoop Dogg, Quicksand and more, while continuing to release music, write books and perform sold-out shows around the world.
Formed in 1999 by guitarist Billy Howerdel and Tool vocalist Maynard James Keenan, A Perfect Circle will return to New Zealand for the first time in 22 years this December.
Across a career spanning more than 25 years, the band has released four acclaimed studio albums, including their landmark debut Mer de Noms, which featured enduring fan favourites "Judith" and "3 Libras", alongside Thirteenth Step, eMOTIVe and Eat the Elephant. Renowned for their powerful live performances, A Perfect Circle have headlined festivals worldwide and sold out iconic venues including Madison Square Garden, the Hollywood Bowl and Red Rocks Amphitheatre.
Don't miss the chance to experience an unforgettable night featuring one of rock's most influential bands alongside one of alternative comedy's most original performers.
A PERFECT CIRCLE
NEW ZEALAND 2026
Presented by Live Nation
WITH SPECIAL GUESTS PUSCIFER & DAVE HILL
Spark Arena, Auckland
Sunday 13 December - Low Tickets
Tickets on sale now.
For complete tour and ticket information, visit livenation.co.nz
FIRST ARTISTS REVEALED FOR MĀNUKA PHUEL SYNTHONY FESTIVAL 2027
Duco Touring has today revealed the first wave of artists set to take the stage at Mānuka Phuel SYNTHONY Festival, returning to Auckland Domain on Saturday 20 March 2027.
The first lineup announcement brings together international and New Zealand heavyweights, led by legendary British DJ and dance music pioneer Paul Oakenfold (UK), “Daytime Disco” five-piece Poolside (USA) making their New Zealand debut, New Zealand powerhouse L.A.B, multi award-winning Kiwi artist Ladyhawke, and one of Aotearoa’s fastest-rising acts, Corrella — alongside the festival’s spectacular headline experience, SYNTHONY.
Leading the announcement is one of the most influential names in electronic music, Paul Oakenfold. Widely regarded as one of the godfathers of modern dance music, the British DJ, producer and remixer has spent more than three decades shaping club culture around the world. Having remixed over 100 artists including U2, Madonna, Moby, Britney Spears, Massive Attack, New Order, The Rolling Stones and Michael Jackson, Oakenfold's impact on electronic music is unrivalled.
Los Angeles-based Poolside, are confirmed to bring their signature "Daytime Disco" sound to Auckland for their first appearance in New Zealand. Created by producer, songwriter and multi-instrumentalist Jeffrey Paradise, Poolside have built a global following through their sun-soaked blend of disco, funk and electronic music. Their acclaimed live show combines the groove of disco with the energy of a full live band, following appearances at some of the world's biggest festivals including Coachella, Primavera, Lollapalooza and Outside Lands.
Joining the lineup are L.A.B, one of New Zealand’s biggest and most successful acts and a powerhouse of the Australasian live music scene. Selling out arenas and major outdoor shows across New Zealand and Australia, L.A.B have built a formidable reputation around an unmistakable fusion of reggae, soul, funk, blues and electronic music. Armed with multiple mega hits, huge singalongs and an explosive live show, expect banger after banger when L.A.B hit the main stage.
Kiwi artist Ladyhawke also joins the lineup. Since bursting onto the international scene in 2008, Ladyhawke has built an acclaimed career on irresistible pop hooks, and electro-pop anthems. With multiple Aotearoa Music Awards, ARIA Awards and nominations spanning the BRIT Awards, MTV Awards and NME Awards, Ladyhawke has become one of New Zealand's most celebrated musical artists.
Corrella, one of New Zealand’s fastest-rising bands, complete the first artist announcement. Their breakout smash Blue Eyed Māori made New Zealand chart history as the longest-running #1 single on the Official NZ Singles Chart, while current chart hit Not I continues the band’s remarkable rise. Blending reggae, soul, funk and pop into an unmistakably Kiwi sound, Corrella have quickly established themselves as one of Aotearoa’s most exciting live acts.
Mayor of Auckland Wayne Brown says: "SYNTHONY has grown into one of Auckland's great homegrown events, and this lineup shows why. Auckland Council Events is proud to back a festival that brings world-class music to our city, showcases Kiwi talent, and gives people another great reason to come and experience all that Auckland has to offer."
This first announcement offers just a taste of what's to come, with more artists still to be revealed in the coming months.
Duco Touring Founder David Higgins says, “We’re excited to bring together such a strong first lineup of artists for Mānuka Phuel SYNTHONY Festival 2027. From a true pioneer like Paul Oakenfold and the New Zealand debut of Poolside, to some of Aotearoa’s most loved live acts including L.A.B, Ladyhawke and Corrella, this lineup has something for every kind of music fan.”
"Music reinvented meets the energy drink reinvented, that's why SYNTHONY was the first festival Mānuka Phuel ever supported. Now Mānuka Phuel SYNTHONY Festival 2027 arrives as we celebrate our second birthday and enter our third year in New Zealand, with L.A.B on the lineup - one of the best live acts New Zealand has produced and, along with Corrella, among the first Kiwi acts we ever got behind. It doesn't get more full circle than that.” says Alex McDonald, Co-Creator of Mānuka Phuel.
Tickets are on-sale now from SYNTHONY.com. Mānuka Phuel SYNTHONY Festival is proudly supported by Auckland Council Events.
MĀNUKA PHUEL SYNTHONY FESTIVAL
Saturday 20 March 2027
Auckland Domain
PAUL OAKENFOLD (UK)
POOLSIDE (USA)
L.A.B
LADYHAWKE
CORRELLA
SYNTHONY (NEW SET)
OLIVIA DEAN UPGRADES SOLD-OUT AUCKLAND SHOW TO THE NEWLY REBORN WESTERN SPRINGS BOWL
Due to phenomenal demand, with every arena date on her 'The Art of Loving' AU/NZ tour now sold out, Olivia Dean has announced a major upgrade to her Auckland show: the Tāmaki Makaurau date moves from Spark Arena to Western Springs Bowl, freshly reopened after a $2.5 million transformation into one of the city's premier outdoor destinations for concerts, festivals and community sport. The October 17 show will mark the grand opening of the new venue, positioning Dean as the artist to christen its next chapter and turning the night into a celebration not just of one of her biggest headline shows to date, but of Auckland's live music scene as a whole. The Auckland show is supported by Auckland Council Events.
Existing ticketholders can rest easy: their tickets will be reissued for the new venue to their Ticketek NZ account by September 30. If they do not have a Ticketek NZ account, they have until August 31 to sign up. New tickets go on sale to the public on Thursday 20 August, with fans able to register for presale access now at:
https://laylo.com/oliviadeano/m/pG1acL
Dean says “I’m so excited to return to Australia & New Zealand! Thank you so much for all your support over the last few years, I can’t wait to celebrate with you soon!”
Joining Dean across every AU and NZ date is the Papua New Guinean-born artist Kaiit(pronounced Ky-Yeet), one of Australia's most compelling musical forces. Blending neo-soul and hip-hop with the intimacy of a jazz club, Kaiit brings honeyed vocals, raw storytelling and a fearless stage presence that has drawn early co-signs from Erykah Badu and Jill Scott. She holds the 2019 ARIA Award for Best R&B/Soul Work for ‘Miss Shiney’ and the 2025 APRA Award for Most Performed R&B/Soul Work for her independently released single ‘Space’, and has shared stages with SZA, Snoh Aalegraand Chaka Khan. As the saying goes, Kaiit doesn't fit in a box — she builds the room.
Celebrating her second album, The Art of Loving, out now via Universal, Dean's tour spans Naarm/Melbourne, Wangal/Sydney, Meanjin/Brisbane and Tāmaki Makaurau/Auckland, with every show a sellout and the Auckland date now shaping up as the tour's crowning night.
New Zealand has proven especially fertile ground for Dean, and the numbers bear that out. She has spent twenty-one weeks simultaneously atop both the NZ Official Singles and Album Charts, the longest such run in the country's chart history by some margin. ‘Man I Need’ spent thirty-one non-consecutive weeks at number one, a New Zealand record, and is now certified six-times platinum, while The Art of Loving itself notched twenty-three non-consecutive weeks at number one and sits at four-times platinum. New Zealand was also the first market in the world to certify Dean Gold for ‘The Hardest Part’, a single that has since climbed to Three-Times Platinum. Across her catalogue, Dean now holds Two Platinum-certified albums and more than a dozen certified singles in New Zealand alone, from multi-platinum hits like ‘Nice To Each Other’ and ‘So Easy (To Fall In Love)’ through to Gold breakthroughs like ‘Echo’ and ‘It Isn't Perfect But It Might Be’, a run that places her among the most decorated international artists in the country's chart history.
Following her 2023 debut, Messy, Dean's ascent has been one of rare clarity. Shortlisted for the Mercury Prize, Best New Artist at the 2026 Grammy's, four BRIT Awards wins, and a new record for her Sam Fender collaboration 'Rein Me In', she has managed to walk the line between viral popularity and critical reverence without losing her footing.
Dean's music resists easy classification, marrying soul, pop and classic singer-songwriter structures with diaristic detail and featherlight production. Tracks like ‘The Hardest Part’ and ‘Dive’ have given listeners a front-row seat to her inner world, while live performances — from Jools Holland's Hootenanny to Glastonbury's Pyramid Stage — have affirmed her quiet magnetism.
That emotional generosity carries through The Art of Loving, an album Dean has described as a deepening of her lifelong study of love — not its spectacle, but its smaller, more ordinary textures.
OLIVIA DEAN THE ART OF LOVING 2026 AU/NZ TOUR DATES
Presented by Handsome Tours and Laneway Presents
Supported by Kaiit
Mon 5 Oct – Rod Laver Arena – Naarm / Melbourne [SOLD OUT]
Tue 6 Oct – Rod Laver Arena – Naarm / Melbourne [SOLD OUT]
Fri 9 Oct – Qudos Bank Arena – Wangal / Sydney [SOLD OUT]
Sat 10 Oct – Qudos Bank Arena – Wangal / Sydney [SOLD OUT]
Tue 13 Oct – Brisbane Entertainment Centre – Meanjin / Brisbane [SOLD OUT]
Sat 17 Oct – Western Springs Bowl – Tāmaki Makaurau / Auckland *VENUE UPGRADE*
Stay connected with Olivia Dean:
Website | Instagram | TikTok | YouTube | Facebook
ART IN THE PARK RETURNS TO EDEN PARK IN 2026 WITH STADIUM-SCALE IMMERSIVE ARTWORK BY JESSE WOOLSTON
Following a sold-out event in 2025, Art in the Park returns to Eden Park from 12-15 November 2026, transforming New Zealand’s iconic national stadium into a contemporary art experience unlike any other.
Tickets are on sale from 10am tomorrow, Tuesday 11 August for the 2026 event, which will bring together more than 140 artists and over 3,000 original artworks, offering visitors the opportunity to meet artists in person, discover the stories behind their work and purchase original pieces directly from some of Aotearoa’s most exciting creative voices.
A range of ticket options are available across the four-day event. Opening Night tickets are priced from $75, offering first access to artworks, artist meet-and-greets, drinks and canapés, while General Admission tickets start from just $15, with morning, afternoon, twilight and anytime passes available throughout the weekend.
Positioned as “New Zealand’s best art at its most iconic venue”, Art in the Park celebrates the breadth and diversity of New Zealand’s artistic community, showcasing emerging talent alongside established artists across painting, sculpture, photography, digital art and more. Across four days, Eden Park will be transformed through art, with visitors invited to explore artist exhibits, wander pitch-side viewing sculptures, experience exciting art talks and get hands on creating their own art.
Designed to welcome everyone from first-time buyers to experienced collectors, Art in the Park offers an accessible and inspiring way to experience contemporary art, connect with artists and discover original works.
Leading the 2026 programme is internationally recognised New Zealand artist Jesse Woolston, who will return home for his first-ever exhibition in Aotearoa after building his career in the United States. Born in Lower Hutt and raised between Lower Hutt and Auckland, Woolston has become internationally recognised for creating immersive, large-scale installations inspired by the beauty, power and unpredictability of New Zealand’s natural environment.
For Art in the Park 2026, Woolston will present his immersive artwork, The Infinite Constant Front on the Eden Park pitch itself - a landmark presentation of his work never seen in New Zealand before. Comparable in size to the stadium’s goalposts, The Infinite Constant Front combines moving image, sound, technology and original music composition to create an immersive encounter inspired by the landscapes and natural phenomena that continue to shape his artistic practice.
Drawing inspiration from ocean movements, dramatic weather systems and iconic Aotearoa landscapes, Woolston’s work combines computational simulation, physical materials and colour pigments sourced from the environment to create experiences that feel as though nature itself has been captured within a living sculpture. Woolston’s internationally recognised practice has seen him collaborate with notable global institutions and brands, including Christie's and Dior.
Jesse Woolston says:
“Bringing my work home to New Zealand and exhibiting alongside other New Zealand artists at the scale of Eden Park is a once in a lifetime opportunity. I’m incredibly proud to be part of Art in the Park and to show the art world what New Zealand has to offer.”
Sofija Matich, Director and Curator, Art in the Park says:
“Jesse’s installation brings something we have never attempted before at Art in the Park, curatorially expanding the boundaries of what an art show is - it’s not only a work to be viewed, but an environment to be experienced collectively. The installation is a unifying thread across the show, reflecting the wider narratives explored by the talented artists exhibiting.”
Art in the Park 2026 will showcase more than 140 artists from across Aotearoa, creating an opportunity for visitors to experience a diverse range of creative practices and discover original works from some of the country’s most exciting artists.
Celebrated New Zealand artists including Jimmy James Koratorus, Dita Angeles and Milarky; who will be exhibiting alongside established names like Christian Nicholson, Tim Christie and FLOX; as well as exciting, emerging talents such as Logan Bow, Zoey Singh and Kayla Bacon.
Alongside the main exhibition, visitors can explore the key sponsor of Art In The Park, MAS, Emerging Artists’ Gallery which celebrates the next generation of creative talent.
Art in the Park will continue its commitment to supporting emerging artists through its partnership with The King's Trust Aotearoa New Zealand, returning as the event's charity partner for 2026. Together, they deliver the free Art & Enterprise Programme, which equips young creatives with industry insights, mentoring, coaching and networking opportunities to build confidence and entrepreneurial skills. The partnership also marks a milestone year, celebrating The King's Trust's 50th global anniversary and five years of collaboration with Art in the Park.
Nick Sautner, CEO of Eden Park, says: "We're thrilled to welcome Art in the Park back to Eden Park following the incredible response to last year’s event. It's exciting to see the stadium transformed in a completely different way, creating a space where people can experience art, connect with artists and explore creativity in one of New Zealand's most iconic venues. Jesse Woolston's immersive installation on the pitch is a remarkable addition that will make this year's event even more memorable."
Transforming Eden Park into a vibrant celebration of art, culture and community, Art in the Park offers an unforgettable, family-friendly experience for collectors, culture seekers and curious visitors alike. Whether discovering a new favourite artist, purchasing a first artwork, exploring Jesse Woolston's large-scale installation, enjoying artist and specialist talks or getting creative, there's something for everyone.
Art in the Park thanks its valued sponsors and partners for their ongoing support in bringing the event to life. More partner announcements will be made in the lead-up to the event. A full list of partners is available at https://www.artinthepark.co.nz/partners.
ART IN THE PARK 2026
Eden Park | 12–15 November
Tickets available from Tuesday, 11 August at www.artinthepark.co.nz
HOME BREW PRESENTS LAST WEEK
Today, one of Aotearoa’s most beloved hip-hop groups Home Brew have announced they will be performing their legendary EP Last Week live in full, as well as songs from their catalogue, at the Auckland Town Hall on Sunday 31 May 2026. The second Winter Series announcement, Home Brew join the already announced Seun Kuti & Egypt 80 on the line-up.
The Winter Series returns for its second year; a curated concert series brought to you by Live Nation in association with Tātaki Auckland Unlimited, on behalf of Auckland Council Events. Showcasing impressive international acts alongside some of Aotearoa’s most beloved artists in Tāmaki Makaurau this May. Sign up to the waitlist to find out more: www.livenation.co.nz/auckland-winter-series.
Home Brew are one of Aotearoa’s most beloved hip-hop groups, rising to equal parts greatness and infamy through their extensive run of EPs through the early 2010s and culminating in their now-classic #1 self-titled debut. The band re-entered the charts with their brand-new album Run It Back in 2023, securing them a raft of new fans.
Their aggressively DIY ethos has endeared them to many in the New Zealand Hip-Hop music scene, and they have cemented their place in history as one of the country's most authentic, uncompromising acts.
Home Brew join Seun Kuti & Egypt 80 on the Winter Series line-up, with more to be announced.
HOME BREW
Presents Last Week
AUCKLAND TOWN HALL, AUCKLAND
AS PART OF THE WINTER SERIES
SUNDAY 31 MAY
TICKETS GO ON SALE ON THURSDAY 2 APRIL AT 12PM LOCAL TIME
Live Nation Presale Wednesday 1 April 11am, until Thursday 2 April 11am local time.
For complete tour and ticket information, visit: livenation.co.nz
To apply for media accreditation for review purposes, visit here.
BLACK ANGELS ADDED TO THE STRANGE UNIVERSE WINTER 2026 LINEUP
Now that Banished Music and Strange News have pulled down the shades on an epic Strange Universe Autumn, it’s time to drop the first new addition to the already mind-meltingly great line-up for Strange Universe: Winter. Hold onto your skulls, because on Saturday 6 June at the Powerstation, we’re getting deep, dank, and psychedelic with The Black Angels playing their formidable debut album Passoverin full to celebrate its 20th anniversary, alongside a healthy swathe of fan favourites.
“The Black Angels encourage you to rethink your preconceived notions, question authority and create other methods for survival. They also know how to throw a pretty awesome party.”
- RevoltOfTheApes
With The Black Angels joining an already wild line-up that is set to take over Tāmaki Makaurau across all of June and a tiny little bit of the end of May, Strange Universe: Winter also features the most welcome return of retrofuturist pop heroes Stereolab, Welsh chanteuse and producer extraordinaire Cate Le Bon, and the Fragile World album release show from brooding babes The Veils, all taking the stage at the mighty Powerstation. Hollywood Avondale plays host to droll indie darlings Dry Cleaning, while Double Whammy sets the scene for Japan’s psychedelic legends Acid Mothers Templeand one of the great American singer-songwriters Cass McCombs and his band. Finally, we’re adding two new venues to our list this time around, with the bilingual bossa nova of Mei Semones at the Tuning Fork, and breathtaking Warp Records favourite Kelly Moranat the exquisite Kahui St David’s.
“Honestly, if it wasn’t for Strange Universe: Winter, I’d be moving to Melbourne, bro”
- a prominent New Zealander
The combined daydream of promoter pals Banished Music and Strange News, Strange Universe is the show series banner designed to celebrate the city’s brilliant venues, and give us all a little something to look forward to.
CASS MCCOMBS - TUES 26 MAY - DOUBLE WHAMMY
Recently described by The Guardian as operating “at the highest songwriting level”, celebrated American indie favourite Cass McCombs is a true songwriter’s songwriter. A dozen or so albums in and his songs like Brighter!, Bum Bum Bum, and Absentee have become timeless earworms, with recent album Interior Live Oak seeing Pitchfork agree that this is an artist “in top form”. This one-off show by McCombs and his killer quartet at Double Whammy marks the first time the man has ever taken the stage in Aotearoa, and we’re absolutely thrilled to have him.
DRY CLEANING - WED 3 JUNE - HOLLYWOOD AVONDALE
Presented in partnership with I Oh You & MG Live
“They’re one of a kind” said NME of London quartet Dry Cleaning, and they were bang on. The band’s recent third album Secret Love is their finest by a country mile, and was recorded in France by none other than producer (and fellow Strange Universe act!) Cate Le Bon. Building on the band’s established spoken word post-punk “thing”, the album sees vocalist Florence Shaw embracing occasional melody, and includes horns, synths, and even Wilco’s own Jeff Tweedy joining on guitar for a tune.
CATE LE BON - FRI 5 JUNE - POWERSTATIO
Presented in partnership with Susie Says!
It seems unanimously agreed that Cate Le Bon is a talent for the ages. Following stints producing the likes of Wilco, Horsegirl, and (see above) Dry Cleaning, Le Bon returned with her acclaimed seventh solo album Michelangelo Dying. The album was included in all the end of year lists we’d care to name, and a recent standalone collaboration with St Vincent confirmed Cate Le Bon is still operating in the upper echelon of creativity. Her innovations in song construction and production have recently seen Cate compared to the likes of David Bowie, Laurie Anderson, Björk, and other modern luminaries of music.
THE BLACK ANGELS - SAT 6 JUNE - POWERSTATION
Here to mark the hallowed 20th anniversary of their genre-defining modern psychedelic rock classic and debut album, Passover, The Black Angels are set to bring sacred fuzz to the unholy temple of the Powerstation this June. This Texan behemoth lovingly blends the magic of The Velvet Underground with the wild minds of Syd Barrett, Roky Erickson, and Arthur Lee, all while generating a sound all their own. Not just a radical rock band, The Black Angels founded the legendary Austin psych festival Levitation, and maintain a fierce political stance within and outside of their music. It’s high time we had them back, hell yeah.
MEI SEMONES - TUES 16 JUNE - THE TUNING FORK
With a sumptuous blend of indie rock, bossa nova, jazz, and chamber pop, accomplished guitarist and songwriter Mei Semones is set to make her long-awaited Aotearoa debut at Strange Universe: Winter. Brooklyn-based Mei writes songs in both English and Japanese, celebrating a passion for life, family, music, and more, sentiments which can be heard on her sublime debut album Animaru. Described by Clash Magazine as “a potent talent”, Mei Semones is more than just one to watch, she’s one to become a devoted fan of. SputnikMusic swooned over the songs of Animaru, calling them “as gorgeous as can be, and undeniably triumphant”. Now, it’s your turn to swoon.
KELLY MORAN - WED 17 JUNE - KAHUI ST DAVID’S
New York-based composer and pianist Kelly Moran has spent her career excavating the sonic possibilities of the piano. In the past decade, Moran has released numerous acclaimed albums through the fabled label Warp Records that have challenged the piano’s traditional, classically-imposed school of thought with a more contemporary approach. An accomplished and highly sought-after composer, Moran has collaborated with visionary contemporaries including FKA Twigs, Yves Tumor, The Avalanches, Kelsey Lu, Oneohtrix Point Never, and classical musician Margaret Leng Tan. Happening in the hallowed halls of Kahui St David’s on Khyber Pass, this is one of our wildcard offerings you won’t want to miss.
ACID MOTHERS TEMPLE - FRI 19 JUNE - DOUBLE WHAMMY
Formed over thirty years ago by Makoto Kawabata, Acid Mothers Temple & The Paraiso U.F.O. released their debut album in 1997. The album was instantly branded one of the year's best in The Wire magazine, and the band have been an ever-present entity in the cosmic musical realm ever since. Their recorded albums easily number in the dozens, with The Guardian’s David Bennun stating that “Acid Mothers Temple have in their two-decade existence recorded far more head-melting music than any sane person would know what to do with.” Sane people aren’t necessarily this Japanese wonder-band’s target audience, and we are starry eyed to welcome this magic mothership to our very own Strange Universe!
STEREOLAB - THURS 25 JUNE - POWERSTATION
The panic is over! Anglo-French avant-pop group Stereolab are indeed returning to Aotearoa in June, hot on the mechanical heels of last year’s brilliant album Instant Holograms on Metal Film. This was the band’s first studio album in fifteen years, and followed their celebrated reunion in 2019. The Guardian hailed the album as “a radiant return”, and Rolling Stone fizzed over the band’s “gliding grooves, wowing-and-fluttering synthesizers, and lyrics that elegantly pine for more”. They’ve got a cult following for a very good reason, and we’re beyond astonished to have them as part of our winter line-up!
THE VEILS - SAT 27 JUNE - POWERSTATION
Following the critically acclaimed release of Asphodels in 2025, local heroes The Veils return with a bold and invigorated new album, Fragile World. Released June 19 on V2 Records, the album marks a striking shift in tone and energy for the band, with fearless leader Finn Andrews reflecting on his tendency to make each album as a rebellion against his last. Recorded live to tape at Roundhead by Paddy Hill, with production by Tom Healy (Tiny Ruins, The Chills), Fragile World captures The Veils in an urgent and instinctive mode. With its immediacy, intensity, and emotional clarity, Fragile World stands as one of The Veils’ most compelling releases to date, and is the perfect note to go out on for Strange Universe: Winter.
TRAILER REVEALED FOR SGT. HAANE
With one month to go until its nationwide cinema release, Sgt. Haane has today unveiled its second trailer, a gripping battle-charged glimpse into the story of 28th Māori Battalion Aotearoa hero Haane Manahi.
The release of the second trailer comes one month ahead of the film’s general release on April 30th and coincides with final preparations for the film’s premiere season, which begins in Rotorua on Sunday 19 April, acknowledging the whakapapa and community at the centre of the story. Following Rotorua, Tāmaki Makaurau’s premiere at Sylvia Park will be held on Monday April 20, and a Te Whanganui-a-Tara premiere on Tuesday 21st April.
April 19th also stands as the anniversary day on which the charge on Takrouna, by the 28th Māori Battalion took place, in 1943.
From international award-winning writer and director Tearepa Kahi (Muru, Poi E: The Story of Our Song, Mt. Zion), Sgt. Haane tells the story of L. Sgt. Haane Manahi DCM (Te Arawa, Ngāti Raukawa) of B Company, 28th Māori Battalion (28 September 1913 – 29 March 1986), a soldier of extraordinary courage whose bravery was described by Lieutenant General Sir Brian Horrocks as "the most gallant feat of arms I witnessed in the course of the war" – culminating in the 1943 attack on the heavily fortified pinnacle of Takrouna, Tunisia.
The film stars Alex Tarrant (The Lord of the Rings: The Rings of Power, NCIS: Hawaiʻi, DMV) as Haane Manahi – with Niwa Whatuira (The Dark Horse, A Mistake, M3GAN 2.0), Vinnie Bennett(Whina, F9: The Fast Saga, Human Traces), Matuera Ngaropo (Whina) and Poroaki Merritt-McDonald (Muru, The Gone) as the soldiers who fought alongside Haane. Their performances are woven together with the voices of Māori Battalion descendants – Dr. Donna Morrison, Kīngi Biddle, Colin Bennett, Raimona Inia, and Anaru Grant Jr.
Sgt. Haane will have commemorative screenings from 20-30th April, including ANZAC Day, and will be released on April 30th. Sgt. Haane is produced by Reikura Kahi, Selina Joe and Dr. Donna Morrison of Penny Diver Pictures, and made with investment from NZ On Air, Te Māngai Pāho, the New Zealand Film Commission and Kiwibank. Rialto Distribution International will distribute the film in New Zealand and Australia.
CASTAWAY ENTER A BOLD NEW ERA WITH EXPLOSIVE SINGLE “HEART ATTACK”
Aotearoa’s rising pop-rock force Castaway step confidently into their next chapter with the release of their electrifying new single, “Heart Attack” - the first taste of a new body of work.
Castaway are five mates bound by music. Beginning in a humble flat in Ōtautahi Christchurch, Castaway is made up of Austen (bass), Jack (saxophone, keys), Jackson (vocals, keys, guitar), Joe (vocals, drums), and Rhys (guitar), the band blend pop-rock with alternative notes and boy-band sensibility. Their sound combines driving guitars, punchy rhythms, sax hooks and dual vocals - brought to life in high-energy shows driven by soaring choruses and emotional pull - built to make crowds sing, dance, and feel everything all at once.
Fresh off the momentum of their EP Nondual, which saw breakout track “Pretty Little Liar” land B-rotation on ZM, Castaway return with “Heart Attack” - the first single from their forthcoming body of work. It marks a clear evolution: sharper, more self-assured, and unapologetically ambitious.
“Heart Attack” captures the rush of being young, naive, and completely consumed by someone who feels larger than life. It’s a story of reckless attraction and late-night escapism, where nostalgia, fantasy, and reality blur into one electrifying moment - leaning into the intoxicating push-and-pull of knowing something might not last, but diving in anyway for the thrill.
Driven by snappy, high-energy electric guitars and a relentless rhythm section, the track fuses modern pop polish with nods to ‘90s-era anthems. A bold, euphoric saxophone breakdown delivers an unexpected, stadium-sized release - elevating“Heart Attack” into a hook-heavy, adrenaline-fuelled anthem that feels as immediate and addictive as the emotions it captures.
Castaway have evolved from university jam sessions to sharing stages with Mitch James and Drax Project, lighting up Selwyn Sounds and earning spins across ZM, The Hits, More FM, Radio Hauraki, and RNZ. Heart Attack reflects that rise, capturing a band coming into their own.
And the five-piece’s rise is already gaining traction! On May 16, Castaway will take the stage at the ‘Once In A Lifetime’ opening of One NZ Stadium in Ōtautahi, supporting Six60 and Synthony alongside Kaylee Bell and Cassie Henderson - a landmark moment that signals their arrival on a bigger platform.
“Heart Attack” by Castaway is out now on all streaming platforms. Listen here!
Stay connected with Castaway:
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BANISHED MUSIC PRESENTS DEAFHEAVEN & NOTHING ANNOUNCES NEW ZEALAND TOUR
American black-metal trailblazers Deafheaven announce their return to New Zealand this July, presented by Banished Music. The band will perform two exclusive headline shows in Auckland and Wellington, joined by special guests Nothing.
Formed in the San Francisco Bay Area in 2010, Deafheaven have spent the past decade and a half pushing at the emotional and sonic boundaries of modern metal. From their debut Roads to Judah, to the genre-defining breakthrough Sunbather, and subsequent records like New Bermuda, Ordinary Corrupt Human Love, and Infinite Granite, Deafheaven have continually redefined the limits of heavy music while confronting themes of alienation, addiction, family history, and self-perseverance.
The tour follows the release of their 2025 album Lonely People With Power. Their sixth album and first for Roadrunner Records arrives as both a culmination and a reckoning , an album that embraces the band’s full identity after years of evolution. Produced by Justin Meldal-Johnsen(Beck collaborator and producer of Infinite Granite), the record captures Deafheaven’s innate ability to merge melody with brutality, and pain with poetry. Through reflections on masculinity, inherited trauma, family, and self-perception, the album grapples with the idea that while we can’t fully escape our past or our nature, we can choose how we move forward. Ultimately, Lonely People With Power stands as one of Deafheaven’s most expansive and human statements.
The album has drawn praise from Pitchfork, Rolling Stone, The Line Of Best Fit, Kerrang and more, and features collaborations with Interpol’s Paul Banks and Boy Harsher’s Jae Matthews.
Revered for their transcendental live shows, Deafheaven have toured the world over, performing at festivals such as Coachella and Primavera Sound, and sharing stages with artists ranging from Slipknot and Knocked Loose to Chelsea Wolfe and Mono. They’ve received a Grammy Award nomination for Best Metal Performance and continue to command a reputation as one of the most compelling live acts in heavy music.
Joining them are American shoegaze outfit Nothing, whose latest release A Short History of Decay has been described by Pitchfork as “fresh and exciting.” Their fifth album and first for Run For Cover Records further expands the band’s sonic scope, delivering the most refined and immersive iteration of Nothing to date.
Deafheaven return to New Zealand at their most expansive and unrelenting. Don’t miss the chance to witness one of heavy music’s most boundary-pushing bands at full force.