TONY AWARD-NOMINATED STAR KEALA SETTLE RETURNS HOME TO HEADLINE SUNSET BOULEVARD

One of musical theatre’s most arresting and celebrated shows, SUNSET BOULEVARD,  will take centre stage at the newly restored Te Whare Whakarauika Wellington Town Hall in April 2027, with WITCH Music Theatre presenting Andrew Lloyd Webber’s masterpiece as part of the venue’s grand reopening programme for a strictly limited engagement. The musical has earned major acclaim across Broadway and the West End, including seven awards from 11 Tony Award nominations for its original 1994 Broadway production, and seven Olivier Awards from 11 nominations for the acclaimed 2023 Jamie Lloyd Company revival. That production went on to make a Broadway transfer in 2024, earning 11 Tony Award nominations and taking home seven awards, including Best Revival of a Musical in 2025.
 
Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals. His shows have run continuously in London’s West End for 50 years and ran for 43 uninterrupted years on Broadway. He is one of the select group of artists with EGOT status, having received numerous Emmy, Grammy, Oscar and Tony Awards.
 
The production, designed specifically with the Town Hall's refurbished auditorium and 120 year-old Edwardian era concert pipe organ in mind, will run from Friday, 9 April to Sunday, 11 April 2027, marking the New Zealand professional premiere of Sunset Boulevard and starring internationally acclaimed, Tony Award-nominated performer Keala Settle, best known for her role as Lettie Lutz in The Greatest Showman and her powerhouse performance of the Golden Globe-winning song "This Is Me" from the film.
 
For Keala, the production marks a deeply personal return to Aotearoa, and her first headline musical engagement in New Zealand since appearing alongside Hugh Jackman in The Man. The Music. The Show. in 2019. Following a career spanning Broadway, Hollywood and the West End, she returns home to lead a landmark production in one of Wellington’s most significant cultural venues.
 
Based on Billy Wilder’s iconic 1950 film, Sunset Boulevard is a hypnotic and feverishly theatrical musical with music by Andrew Lloyd Webber and lyrics by Don Black and Christopher Hampton. The original film was a major Academy Awards success, receiving 11 nominations and three wins. Set in 1949 Hollywood, the original story follows faded silver-screen star Norma Desmond and struggling screenwriter Joe Gillis, whose shared hunger for recognition draws them into a dangerous and intoxicating dance towards disaster. Haunted by dreams of a Hollywood comeback, Norma sees Joe as her chance to reclaim her place in the spotlight. What begins as a simple favour soon spirals into an increasingly consuming entanglement of ambition, desire and delusion.
 
WITCH Music Theatre Creative Director, Ben Tucker-Emerson, says bringing Sunset Boulevard to the Wellington Town Hall represents an extraordinary moment for both the company and the city. “Getting to work with Keala on this show in Aotearoa, the Town Hall’s historic reopening, and WITCH hitting its tenth year... It’s a pretty extraordinary convergence, and that’s exactly why it feels so... well, kismet.

Josh and I have spent a decade saying ‘why not?’ and taking some fairly decent swings as independent music theatre producers. Look, we’re not a Broadway machine. We proudly make music theatre our own way, on our own terms, with our own kaupapa woven into everything we do, and now we’re collaborating with Keala Settle on one of Andrew Lloyd Webber’s most accomplished musicals, in what will be a world-class performance venue here in Pōneke. Is that terrifying? Of course it is. But I can’t wait to throw open the doors and invite Wellington into this rare and monumental moment for music theatre in Aotearoa.”

On the role of Norma Desmond, Keala Settle says, “There’s not a lot of roles like this for women, so to be able to have something this strong and powerful, and to have the chance to tell it in a different way is a great offering, and I’m so lucky to have been given the opportunity to do it. I jumped at the challenge.”

For Keala, returning to Aotearoa is an opportunity to reconnect with her whakapapa and deepen her connection to her whānau and whenua. “To be able to return to Aotearoa, and specifically Pōneke, closer to where my whānau are from, and to not only make peace with who I am, but to have the opportunity to make that connection with the audience and with whoever else is going through that journey – that’s big. To be able to claim that and to experience it in real time with the people there, that’s why I chose to do it.”

Joining Keala Settle in the cast are three leading actors from the Aotearoa musical scene, Nick Lerew, Chris Crowe and Bailea Twomey. The musical’s narrator-protagonist, Joe Gillis, will be played by Nick Lerew, an actor originally from the United States and now based in Aotearoa, whose credits include Les Misérables, Miss Saigon and Wicked. Joining him as Norma’s fiercely loyal servant, Max Von Mayerling, is New Zealand’s original Phantom of the Opera, Chris Crowe, and no stranger to the Lloyd Webber canon. Bailea Twomey also makes a homecoming to Aotearoa following her sensational turn in WITCH’s 2024 production of Lizzie, swapping the axe for a typewriter as ambitious young screenwriter Betty Schaefer. Further casting announcements will follow, with auditions for additional roles opening this month.
 
WITCH Music Theatre’s journey began at BATS Theatre in 2017, and this production marks the company’s 10th anniversary year, a decade of creating music theatre experiences for Wellington and New Zealand audiences. A production of Sunset Boulevardat the newly reopened Wellington Town Hall represents a significant milestone in that journey, reflecting WITCH’s evolution as an independent theatre company born at BATS, to one of Wellington’s leading producers of musical theatre.
 
SUNSET BOULEVARD will be presented at Wellington Town Hall from Friday, 9 April to Sunday, 11 April 2027.

Fans can sign up now at sunsetboulevard.nz for pre-sale access from 9 September, ahead of general tickets going on sale through Ticketmaster from 11 September.

SUNSET BOULEVARD
Te Whare Whakarauika Wellington Town Hall 
Friday 9 – Sunday 11 April 2027
 
Music by Andrew Lloyd Webber
Lyrics by Don Black & Christopher Hampton
Based on the Billy Wilder Film
 
By arrangement with ORiGiN™ THEATRICAL
on behalf of LW ENTERTAINMENT LIMITED

FRESH OFF THEIR PACIFIC MUSIC AWARDS WIN, A.R.T RELEASE THEIR NEW SINGLE ‘LOOK AT ME’

Fresh from taking home Best Group at the 2026 Pacific Music Awards, Wellington trio A.R.T are keeping their biggest year yet rolling with their latest single, Look At Me.

Co-written with Sammy Johnson and produced by The Ikonics, Look At Me sees A.R.T return to the R&B-meets-reggae sound that connected strongly with audiences on their standout 2026 single Over Now.

At its heart, Look At Me is about the frustration of a relationship caught somewhere between real feelings and a lack of commitment. One minute everything feels like it's finally falling into place; the next, it's broken promises, mixed signals and unanswered questions.

The song's central challenge is simple: look me in the eyes and tell me you don't feel what I feel.

That emotional push and pull is balanced by A.R.T's signature three-part harmonies and warm, reggae-influenced production, creating a track that is equally vulnerable and easy to vibe to.

The release comes just weeks after a major career milestone for the trio, who were crowned Best Group at the 2026 Pacific Music Awards, further cementing A.R.T's place among the country's rising Pacific music acts.

Look At Me also marks the latest instalment of A.R.T's ambitious First Thursdays campaign, with the group committing to releasing new music every month throughout 2026. The campaign has given A.R.T the opportunity to explore new sounds, collaborate with different artists and producers, and keep fans guessing about what's coming next.

With Look At Me, A.R.T bring things back to a sound that has already resonated with their audience, while proving there's plenty more to come from one of Wellington's most exciting groups.

‘Look At Me’ is out now on all major streaming platforms. Listen here!

Stay connected with A.R.T:
INSTAGRAM | FACEBOOK | SPOTIFY | TIKTOK | YOUTUBE

D LIGHT: A NEW IMMERSIVE NIGHT OF MUSIC, PERFORMANCE AND LIGHT COMES TO TREECHURCH THIS OCTOBER

From Thursday 15 toSaturday 17 October, TreeChruch and Gardens along with The Production Co. invites audiences to step into the world of D Light, an immersive evening experience where music, poetry, performance and light come together across the magical surroundings of Ōhaupō’s TreeChurch and Gardens.

Tickets are on sale now from dlight.co.nz - valued at $75.

Rather than sitting down for a single performance, guests will be invited to wander between four unique performance spaces, discovering a different experience at every turn. With each space offering its own atmosphere, artists and visual world, D LIGHT transforms the gardens into an illuminated playground for the senses.

At the heart of the experience is TreeChurch, a breathtaking natural chapel, where the sounds of Horomona Horo (taonga pūoro) will meet the piano and electronic soundscapes of Jeremy Mayall.

Nearby, The Parachute will host Kulios, a string quartet performing beneath a striking World War II parachute canopy, while The Labyrinth will provide an atmospheric setting for poets Nadia Soloman, Michael Moore and Sam Clunie, performing against a backdrop of Himalayan Birch avenues. And topping it off, Under the Sails, singer-songwriter NathanKing of ZED is set to perform.

Throughout the site, D Light’s production and lighting team will transform the gardens with a series of majestic illuminations, bringing the natural landscape and performance spaces to life after dark.

Guests can also make their way to The Gantry for food and beverage offerings throughout the evening, creating a space to pause, gather and soak up the atmosphere between performances.

Each performance will run for approximately 20–25 minutes, with performances commencing on the half hour from 7.30pm, through to the final performances at 9.30pm. The full experience concludes at 10pm.

Dr. Jeremy Mayall, performer and CEO of Creative Waikato, says: “The Tree Church and Gardens are such a magical environment, and the opportunity to fill them with light, sound and performance is incredibly exciting. Each part of the garden has its own unique personality, and this experience will bring that to life in a completely new way. Blending music, strings, piano, poetry and light with the natural surroundings, it’s an opportunity to step outside the familiar and experience this beautiful place like never before.”

With capacity strictly limited to just 320 guests each night, D LIGHT offers an intimate opportunity to experience TreeChurch and its gardens in an entirely new light.

D LIGHT
PRESENTED BY TPC

Thursday 15, Friday 16 & Saturday 17 October

TreeChurch and Gardens

TICKETS AVAILABLE NOW VIA DLIGHT.CO.NZ

For more information on TreeChurch and Gardens, visit treechurch.co.nz.
 

MĀUI & ELVIS BRINGS MĀORI AND MÉTIS/CREE INDIGENOUS STORYTELLERS TOGETHER

Māori broadcaster Whakaata Māori in Aotearoa New Zealand and Canada's APTN, the world’s first national Indigenous broadcaster, have announced a new international Indigenous co-production partnership to bring Māui & Elvis, an adventure sci- fi comedy series for children and families, to audiences in Aotearoa, Canada and around the world. 

The announcement was made at the World Indigenous Broadcasters Network (WIBN) Conference in Sápmi, Norway, demonstrating the opportunities that emerge when Indigenous broadcasters work across borders to create ambitious, culturally authentic content for global audiences. 

Māui & Elvis is a collaboration between Māori and Métis/Cree storytellers, producers and broadcasters across Aotearoa New Zealand and Canada. It demonstrates what becomes possible when Indigenous broadcasters and creatives work together to develop, finance and bring Indigenous stories to audiences beyond their own shores. 

Created for children and families (tamariki and whānau) in Aotearoa, Indigenous Canada and internationally, Māui & Elvis follows two best friends - Māori Māui from Aotearoa and Métis Elvis from Canada - who must save Māui's beloved Nan after an evil, salt-lusting alien bent on destroying the world takes up residence in her body. 

Set primarily in the South Island of Aotearoa New Zealand, as well as Vancouver, Māui & Elvis features the extraordinary Canterbury landscapes where mountains meet the sea, whales rise close to shore and the famous mystery of the Kaikōura Lights provides a fitting backdrop for this adventure. 

Métis/Cree Series Co-Producer Camille Beaudoin says the series draws on the shared values and humour of its Indigenous characters and communities; "At its heart, Māui & Elvis is a story that celebrates the power of friendship, culture and found family through our shared values and sense of humour. Our two young leads demonstrate the courage, resilience and ingenuity of their Indigenous ancestors as they protect their loved ones from an extra-terrestrial threat." 

Indigenous languages at the heart of the story 

For Whakaata Māori, the series is an opportunity to create ambitious and entertaining family content where te reo Māori (the Māori language) and tikanga Māori (Māori cultural values and practices) are integral to the story and the world inhabited by its characters. At least 30% of the dialogue in Māui & Elvis will be in te reo Māori, ensuring the language is heard naturally throughout the series and is central to the characters, humour and storytelling. 

Maria Barlow, Kaiurungi Pāpāho | Director of Content and Audience Engagement at Whakaata Māori, says; "For Māori families, seeing and hearing te reo Māori in the stories they love matters. We want our tamariki to see themselves, hear their language and see their culture reflected in bold, imaginative and world-class storytelling. Māui & Elvis is exactly the kind of distinctive, reo-rich content we want to bring to our audiences, while creating opportunities for Māori stories and talent to reach audiences internationally." 

Mike Omelus, Executive Director of Content and Programming Strategy at APTN, says the series demonstrates the creative possibilities that emerge when Indigenous storytellers from different nations work together.“What makes Māui & Elvis so exciting is that it never asks young audiences to choose between entertainment and culture. It's a big, funny, imaginative adventure filled with aliens, friendship and heart, but it's also deeply grounded in Māori and Métis ways of seeing the world. The series creates space for Indigenous kids to see themselves as the heroes of an epic story while inviting audiences everywhere to come along for the ride.” 

Aotearoa Series Co-Producer Janine Morrell-Gunn (Ngāti Kahungunu) says the kaupapa (purpose) is to create a series that families can enjoy together. "Our kaupapa is to produce a whānau viewing series where te reo Māori, tikanga Māori and Métis culture flow naturally, the voices of our tamariki and rangatahi are amplified, and our audiences are inspired and entertained." 

Indigenous broadcasters creating together 

The partnership between Whakaata Māori and APTN, both members of the World Indigenous Broadcasters Network, is central to the project. 

Through WIBN, Indigenous broadcasters are increasingly exploring how their relationships can extend beyond knowledge and content exchange into co-development, co-production and new international pathways for Indigenous stories, talent and languages. 

Māui & Elvis is an example of that opportunity in action. Māori and Métis/Cree perspectives, languages, humour and cultural values are embedded throughout the creative process, while collaboration between broadcasters and production partners provides a pathway for the series to reach audiences across Indigenous territories and internationally. 

Shane Taurima, Chair of the World Indigenous Broadcasters Network and Chief Executive of Whakaata Māori, says; "At the heart of WIBN is a belief that we are stronger when we work together. Māui & Elvis shows what that can look like in practice - Māori and Métis/Cree storytellers, producers and broadcasters bringing our languages, cultures and creativity together to create something for our children and families.It is exciting to think about what more we can create together and where Indigenous stories can travel when we combine our strengths." 

Monika Ille, Chief Executive Officer of APTN, says the project demonstrates the power of Indigenous broadcasters moving beyond content exchange to true international collaboration.“Māui & Elvis represents exactly the kind of collaboration we envisioned when Indigenous broadcasters came together through the World Indigenous Broadcasters Network. This project demonstrates that Indigenous stories are not confined by borders. By partnering with Whakaata Māori, we're connecting cultures, languages and creative talent across oceans to build something larger than any one broadcaster could achieve alone. It's a powerful example of Indigenous-led storytelling that is rooted in community, driven by authenticity and created with global audiences in mind.” 

An international production partnership 

Māui & Elvis brings together Aotearoa New Zealand production company Whitebait Media and Canadian production company Mosaic Entertainment. Lead producers Janine Morrell-Gunn and Camille Beaudoin first connected through the WIFT NZ/Canada Co-Production Summit in 2024. 

Morrell-Gunn says the collaboration has created an opportunity to bring together Indigenous creatives, broadcasters and audiences across both countries."We are extremely grateful for the commitment from our broadcasters Whakaata Māori and APTN. This partnership allows us to celebrate Māori and Métis lands, storytelling, humour and culture, and build a bridge between Indigenous storytellers, content makers, broadcasters and audiences across Aotearoa and Indigenous Canada." 

The production is supported in Aotearoa New Zealand by NZ On Air, the New Zealand Film Commission, Screen Canterbury and Whakaata Māori, with Canadian partners and supporters including APTN, the Indigenous Screen Office, Creative BC, Telefilm Canada, Canadian Heritage, the Canada Media Fund, the Canadian Media Producers Association and Blue Ant International as Distributors. 

Casting is underway in Aotearoa New Zealand and Canada, with production scheduled to begin in November 2026 ahead of the series' planned premiere in 2027. 
 

About Whakaata Māori 
Whakaata Māori is the national indigenous media organisation of Aotearoa. We are the waka carrying the Māori language and Māori storytelling forward, strengthening identity, belonging and cultural confidence.  

MĀORI+ is the digital gateway to the Māori world of storytelling, connecting families with language rich storytelling, news, kapa haka and entertainment across devices.  

For more visit whakaatamaori.co.nz. 
 

About APTN 
APTN, launched in Canada in 1999, is the first national Indigenous broadcaster in the world. The network is a global leader in programming that celebrates the rich diversity of Indigenous Peoples at home and abroad. A respected non-profit media company, APTN inspires audiences by sharing bold and authentic stories. APTN’s programming is available across multiple platforms: APTN (English and French channel), APTN Languages (Indigenous language channel), APTN+ (streaming service), APTN Beyond (FAST channel) and the APTN YouTube channel. For more, visit APTN.org.  

About WIBN 
Established in 2008, the World Indigenous Broadcasters Network brings together Indigenous broadcasters and media organisations from around the world to strengthen collaboration, share knowledge and advance Indigenous voices, languages and storytelling. 

LIVE NATION'S 'ONES TO WATCH' RETURNS TO THE TUNING FORK ON WEDNESDAY 23 SEPTEMBER

Live Nation’s Ones To Watch returns to Auckland’s Tuning Fork on Wednesday 23 September, bringing together a fresh lineup of some of Aotearoa’s most exciting rising artists for the latest instalment of the emerging artist showcase.

The latest Ones To Watch lineup shines a light on Heidi Simpson, DAWSON and Fables, three exciting emerging acts bringing fresh energy and distinct sounds to the stage.

Heidi Simpson writes dream-pop soundtracks for a life you’re already nostalgic for, pairing earworm hooks and dreamy textures with heartfelt, cinematic songwriting. After going solo in 2023, Simpson has built momentum through a string of releases, with her first three singles landing on major Spotify and Apple Music editorial playlists. Her debut 11-track album is set for release later this year, with single “Letting Love Die” surpassing 120,000 streams.

DAWSON is the Jazz House project of New Zealand producer Ethan Jupe, blending slick, organic house production with the soulful romance of soft jazz. Inspired by artists including berlioz, Dublon, Tour-Maubourg and St. Germain, DAWSON has amassed more than 15 million global streams and is now expanding his project with Need To Feel, a new club night bringing house music DJs to dancefloors across Aotearoa and Australia.

Fables is the project of Tāmaki Makaurau songwriter Jessica Bailey, whose intimate folk songwriting meets the expansive sounds of alt-country and Americana. Drawing inspiration from artists including Gillian Welch, Laura Marling and Adrianne Lenker, Fables transforms the highs, lows and everyday details of life into economical, arresting narratives with a surreal edge.

Dylan Cherry, Live Nation’s Ones To Watch Booker, said: “Aotearoa has such a vibrant and diverse music scene, and ONES TO WATCH allows us to celebrate artists who are building real momentum and are ready to connect with new audiences. Heidi Simpson, DAWSON and Fables each have a distinctive sound and a strong sense of who they are as artists, and bringing them together at The Tuning Fork allows us to continue creating meaningful opportunities for developing local talent.”

Following a standout showcase at Wellington’s San Fran earlier this year featuring Debt Club, First Reserve and Dillon Jo, Ones To Watch heads north to Auckland’s Tuning Fork with another round of fresh Kiwi talent. The showcase continues to champion Aotearoa’s thriving music scene, shining a spotlight on the next generation of artists making waves across the country. Since its inception, the programme has showcased an impressive range of musicians across genres spanning pop, indie, rock, electronic and hip hop, celebrating the very best of local music.

Launched in 2017 in the United States, Ones To Watch has helped boost the careers of artists now reaching global stages, including international superstars Olivia Rodrigo, Dua Lipa and Gracie Abrams, as well as kiwi trailblazers Borderline, Frankie Venter and Ella Monnery. 

Past artists are added to the Ones To Watch platform, where fans can discover new music and follow artists as their careers continue to unfold. Through editorial content, interviews and live performance opportunities, the programme helps connect emerging artists with audiences around the world.

Check out the artists' socials and music!

Heidi Simpson
Instagram
TikTok 
Spotify

DAWSON
Instagram
TikTok
Spotify

Fables
Instagram 
TikTok
Spotify

PLAY IT STRANGE ANNOUNCES WINNER OF 2026 NATIONAL SONGWRITING COMPETITION

Charitable Trust Play It Strange is proud to announce the winner of its 2026 National Songwriting Competition, following a record-breaking year of entries that has seen the competition reach its biggest ever level of participation.

With more than 500 original songs submitted by rangatahi from across Aotearoa, this year's competition has surpassed the previous entry record, highlighting the enduring importance of songwriting as a creative outlet for young New Zealanders.

The National Songwriting Competition is Play It Strange's biggest competition of the year, and this year's entries were judged by an extraordinary line-up of some of Aotearoa's most celebrated artists, songwriters and music industry figures, including Cassie Henderson, Shaan Singh of Drax Project, EDY On The Beat, Riiki Reid, Kaylee Bell, Academy Award-winning songwriter Bret McKenzie, Jennie Skulander of Devilskin, Gin Wigmore, Melodownz and Play It Strange founder Mike Chunn.

First place has been awarded to Monique Magdadaro, a Year 13 student ofHobsonville Point Secondary School for her original song, ‘you you you’.

Monique’s music teacher, Jeni Little, says “I am so happy for her - she is such an incredible student in every respect.”

The winning song made a particularly strong impression on judge Gin Wigmore, who was so moved by the track that she has offered to work with Monique and explore a future co-writing opportunity.

“I absolutely fell in love with this song and am so happy it has won! ‘You You You’ has a great melody, gorgeous vocal delivery, lyrical content that feels very universal and from a lived experience, AND it is super catchy. I have had it on repeat, I love it so much! I can’t wait to hear this song recorded professionally in the studio, and would love to work with this artist and co-write something together.” 

See here for a personal congratulations video from Gin to Monique.

Another competition judge, Riiki Reid, also commented on the song:

“I really loved the ideas in this song. I loved these melodies, very strong verse and chorus melodies. I also love that Monique has clearly demonstrated the sonic world in which this song lives in. The melodies alone really define the structure of this song. I think she is a very strong songwriter and will go very far.”

Second place went to 'paint in the sink' by Jemila Vanderput, a Year 12 student at St Andrew's College. In third place is Year 13 student Cameron Beattie from Long Bay College with his song '(It Was Never) You and I'. No stranger to Play It Strange, Cameron has recorded six songs through Play It Strange, and won their 2026 Peace Project competition this year also. 

Choosing these finalists out of so many incredible entries was a tough decision for this year's judges. Competition Judge Melodownz said of the judging process:
 
“It was a privilege to judge this year’s Play It Strange songwriting competition. So much talent, creativity and originality coming through from the next generation of musicians and songwriters. Really looking forward to seeing where their journeys take them.” 

Competition Judge Shaan Singh of Drax Project agreed, saying: 

“I don't know what's going on, but there's some serious songwriting sweats in New Zealand high schools. There are so many songs being submitted that I wouldn't change a thing about, high-level, mature, songwriting I even still strive to create like some of the songs I've heard.”

As the 2026 National Songwriting Competition winner, Monique will receive a prize package designed to help take their songwriting and artist journey to the next level. This includes a $10,000 recording, video and promotional package supported by NZ On Air, a professionally recorded studio session, a $500 MusicWorks voucher, a JBL BandBox Trio valued at $899, an artist development session with SOLE Music Academy founder Sacha Vee, a radio interview and airplay on 95bFM, a one-on-one mentoring session with a competition judge, and the opportunity to perform at the annual Play It Strange Showcase at Q Theatre later this year.

Alongside the overall winner, all finalists will receive a day in a professional recording studio to record their original song, giving young songwriters the opportunity to bring their music to life with industry-standard support and expertise. View pictures from the 2025 National Competition winner, Salem Māhia’s studio session here. 

The growing number of entries this year is a powerful reflection of the role songwriting continues to play for rangatahi. At a time when young people are surrounded by TikTok, AI, social media and an endless stream of digital distractions, hundreds continue to turn to songwriting as a way to process their emotions, explore their inner worlds and make sense of their experiences.

For Play It Strange, that is one of the most rewarding aspects of the competition - creating a space where young people can express themselves through music, while giving them the tools, confidence and industry connections to develop their voices.

Play It Strange CEO Stephanie Brown says:

“In my three years at Play It Strange, by far the most rewarding aspect is seeing the true impact Play It Strange has on rangatahi songwriters. The opportunities, the recognition, and providing a pathway into an industry often hard to crack - Play It Strange is truly unique in the way we empower and lift up the next generation of songwriters in Aotearoa. It is such a privilege to be able to give a helping hand to so many talented young people.”

The Lion Foundation, Play It Strange's Principal Partner, has played an important role in supporting the organisation's work to nurture the next generation of New Zealand songwriters. About their sponsorship of the competition, Lion Foundation CEO Tony Goldfinch says: 

“The Lion Foundation are incredibly proud to support the Play It Strange Secondary Schools Songwriting Competition, which continues to attract more young, talented songwriters from across Aotearoa New Zealand every year. I commend all this year’s songwriting entrants – you are all incredibly talented and I am constantly amazed by your exceptional artistry and innovation. A special shout out to this year’s winner Monique Magdadaro, and a huge thank you to the team at Play it Strange for the incredible work they do in fostering and growing New Zealand’s next generation of musical talent”.

The competition is also supported by NZ On Air, whose contribution to the winner's prize package provides a significant promotional opportunity as they take their next steps as an emerging songwriter. Teresa Patterson, Head of Music at NZ on Air, says:

“NZ on Air have been proud supporters of Play It Strange for more than a decade. We are thrilled to once again sponsor a $10,000 recording, video and promotion prize for this year’s National Songwriting Competition winner Monique Magdadaro.”

Since its establishment in 2003, Play It Strange has received more than 8,000 original song submissions from young New Zealanders, with more than 1,600 songsprofessionally recorded. The organisation's national songwriting competitions provide secondary school students with opportunities to have their original music professionally recorded, while connecting them with mentors, artists and industry professionals and creating pathways into Aotearoa's music community.

All finalists in the 2026 National Songwriting Competition will also become part of the wider Play It Strange alumni community, gaining access to performance opportunities, mentoring, ticket giveaways, backstage experiences, artist development opportunities and more throughout the year.

See the full list of finalists for the 2026 Play It Strange National Songwriting Competition here. 

Play It Strange’s first competition album for 2026 will be available on streaming platforms from today Monday 31 August, click here to listen to the Junior Songwriting Competition album, Vol 1 on Spotify.

The recently announced Strange Album Art Competition further highlights the breadth of talent among this year’s Play It Strange participants, showing that their creativity extends well beyond music. Winners were selected across each of the major competitions, with Junior 1st Place going to Pyper Greer of Taieri College forFractured, Junior 2nd Place to Sophia Zhang of Rangitoto College for Singing to the Sun, Peace Project 1st Place to Daisy Collins of Logan Park High School forFear Haunts Us All, Peace Project 2nd Place to Pyper Greer for Melodic Medley, National 1st Place to Rosa Fyfe of Logan Park High School for Stereo in Hills,and the Waiata Winner to Lucy Delahunty-Versteegh of Kapiti College forUntitled. The winning artworks can be viewed here.

ABOUT PLAY IT STRANGE

Founded in 2003 by Split Enz bassist Mike Chunn, Play It Strange runs annual national songwriting competitions for secondary school students, with finalists awarded a day in a professional recording studio to bring their original songs to life. The organisation releases these recordings on digital albums while providing mentorship, performance opportunities and artist development. Its alumni include Kimbra, Georgia Nott of Broods, Liz Stokes of The Beths, Frankie Venter, Annah Mac, Louis Baker, CHAII, Luca George, Ratbag and many more.

LOVE POLICE, BANISHED MUSIC & STRANGE NEWS PRESENT AN EVENING WITH GILLIAN WELCH & DAVID RAWLINGS

Completing a three-year odyssey of Southern Hemisphere visits, the legendary Gillian Welch and David Rawlings head south once again this February to fulfil a promise to visit all major centres in Australia and New Zealand.

In 2027, that journey arrives in Aotearoa, with the Grammy Award-winning duo set to perform five shows across New Zealand, travelling from Auckland to Hamilton, New Plymouth, Wellington and Christchurch.

Known for their distinctive blend of Appalachian, bluegrass, country, Americana and folk, Welch and Rawlings have built a remarkable body of work across a career spanning more than three decades. Their music draws deeply from traditional American songwriting while remaining timeless, intimate and unmistakably their own.

The tour marks Gillian Welch and David Rawlings’ first-ever performances in the South Island, as well as their first shows in the rest of New Zealand in more than a decade.

ABOUT GILLIAN WELCH & DAVID RAWLINGS

Gillian Welch and David Rawlings are Grammy Award-winning songwriters and musicians whose music draws deeply from Appalachian folk, old-time, bluegrass and country traditions. Since working together on the release of Welch’s acclaimed debut album Revival some thirty years ago, the duo have developed a distinctive sound built around Welch’s evocative songwriting and Rawlings’ intricate guitar playing, creating songs that feel both steeped in history and entirely their own.

Across a celebrated career, they have released a string of acclaimed albums and become influential figures within contemporary Americana and roots music. Songs such as Look At Miss Ohio, Everything Is Free, Revelator, and untold more are considered modern folk classics. Their enduring appeal lies in the simplicity and strength of their performances - two voices, acoustic instruments and songs that carry an extraordinary sense of place, time and storytelling.

TE AHUREI TOI O TĀMAKI AUCKLAND ARTS FESTIVAL GENERATES $24.8 MILLION FOR AUCKLAND’S ECONOMY

Te Ahurei Toi o Tāmaki Auckland Arts Festival recorded more than 188,000 attendances across its 2026 programme, highlighting its growing contribution to Auckland's cultural life, community wellbeing and city centre vibrancy.

Today, The Auckland Festival Trust released its 2026 Impact Report, confirming the Festival's contribution across cultural, social, community and economic outcomes. 

The report highlights a significant increase in the Festival's impact from the previous year. Overall attendance increased 87% reflecting the Festival’s continued focus on creating opportunities for Aucklanders to engage with arts and culture through a mix of world-class performances, new Aotearoa work, free public experiences and community events.

Chair of The Auckland Festival Trust Sarah Judkins says: "The Festival continues to play an important role in Auckland's cultural, social and economic life. These results demonstrate the value of investing in experiences that bring people together, celebrate creativity and contribute to a vibrant and connected city."

"While attendance remains an important measure of success, the Festival's impact can also be seen in the way it supports Auckland's identity, creates opportunities for communities to participate in cultural life, contributes to city centre activity and helps make Auckland a place where people want to live, work and visit."

The Festival contributed an estimated $24.8 million to Auckland’s economy, up 41% on 2025  generating impact through visitor spending, hospitality and accommodation across the city.

A key driver of attendance growth in 2026 was the Festival's expanded free programme, supported through funding from Auckland Council Events.

Reimagined for the 2026 Festival, the Festival Garden became a vibrant gathering place in the city centre featuring 47 free events on the rova Sound Stage including opening event Sau Fiafia! Boogie Down with Island Vibes.

Whānau Day took over Aotea Square with performances on the rova Sound Stage, a silent disco in the Spiegeltent an art hunt in the precinct and numerous activities for tamariki to participate in. Whānau Day saw a record 4,000 attendances in one day. 

Artistic Director Bernie Haldane says the Festival's success reflects a commitment to ensuring people can connect with arts and culture in ways that suit them.

"One of the most encouraging outcomes from 2026 was seeing more people participate in the Festival in different ways. Whether attending a major international performance, discovering a new, New Zealand work, gathering with friends in Aotea Square or spending time with whānau at a free event, the Festival is designed to create opportunities for connection through arts and culture."

"As we look ahead to future Festivals, we remain focused on creating experiences that are ambitious, accessible and reflective of the communities that make up Tāmaki Makaurau."

Broad audience appeal was demonstrated through sellout performances by the Shanghai Symphony Orchestra in the Auckland Town Hall and Werewolf a unique theatre experience created by contemporary Aotearoa theatre makers Binge Culture. 

BIG HORNS, a reimagining of the big band genre with R&B soul and funk packed the Auckland Town Hall while audiences attending Ihi. Wehi. Mana. were the first to hear the Festival’s commissioned waiata of the same name composed by the late Robert Wiremu.

The Festival's commitment to accessibility, inclusion and participation has been recognised nationally through a nomination for Diversity, Equity and Inclusion Event of the Year at the 2026 New Zealand Event Awards.

Daniel Clarke, Tātaki Auckland Unlimited Director of Auckland Live, said investing in major arts and cultural events supports their continue to as they play an important role in promoting Auckland’s city centre and reputation.
 
"Arts, performance and cultural events such as the Auckland Arts Festival help bring people into the city, support local businesses and contribute to the energy and vibrancy that makes Auckland an attractive place to live and visit. The Festival builds on our reputation as a city known for exceptional arts and creative experiences. The Festival is an important part of Tāmaki Makaurau Auckland’s cultural calendar showcasing exceptional artistic works and creating more reasons for people to visit.”

Planning is well underway for the 2027 Auckland Arts Festival with the programme due to be released in late October 2026.

ASB CLASSIC CHAMPION CONFIRMS RETURN TO DEFEND WOMEN’S TITLE IN AUCKLAND

One of the world’s most accomplished tennis players, Elina Svitolina, has confirmed she will defend her title at the 2027 ASB Classic in Auckland.

The world’s ninth-ranked female is the first player confirmed for the ASB Classic in Auckland, with tickets now on sale.

The WTA Women’s ASB Classic will be staged from 4-10 January, followed by the ATP Men’s from 11-16 January, both at the Manuka Doctor Arena in downtown Auckland.

Svitolina won the first of her two titles this year with a straight-sets victory over China’s Wang Xinyu in January’s ASB Classic final. She also prevailed in the final of the BNL Italian Open in Rome over world no. 3 and two-time ASB Classic winner, Coco Gauff.

The 31-year-old Ukrainian has taken her career tally to 20 tournament wins, and this year she also finished runner-up in Dubai, a semi-finalist at the Australian Open, Indian Wells, Stuttgart and Toronto along with four quarterfinals including Roland Garros.

“We are thrilled that Elina will return to defend her title in Auckland,” said Tournament Director, Nicolas Lamperin. “Elina has moved back into the elite group at the top of the women’s world rankings, and her decision to defend her title in Auckland is massive for our tournament.”

Svitolina rose to a career-high No 3 in the world before a lengthy break in 2022 and 2023 for the birth of her daughter, and she is delighted to be working her way back to the top echelon.

“It’s been a great season for me so far.” said Svitolina “When I arrived in Auckland at the start of the year, I had really low expectations for the season and for the tournament. But match by match I gained confidence and I feel that it gave me the first step towards a great year so far in 2026.

“For me it is always important to play well in the first tournaments. I always aim for the good result – as a check on my game and my physical results.
“I am very happy to be back in Auckland again and I will do my very best to play well there again.

“I really enjoy the city. I love the sights. The tournament itself is very well organised and of course the people – the crowds make it very special. It is always a packed stadium and great atmosphere which gives the motivation to play well.”

Lamperin said there are considerable pressures on the world’s top-10 players to compete in higher ranked and more affluent tournaments.

“We are privileged to host not only one of the world’s premier players, but also one of the most respected people in the game.”

Lamperin is confident of another world-class field for the ASB Classic.

“I am in negotiation with several high-quality players and will be heading to the US Open where we hope to be in a position to name more major players in the coming weeks.”

The ASB Classic is New Zealand’s premier international tennis tournament featuring both WTA 250 and ATP 250 events, which attracts leading players from around the world to Auckland each January.

Running from 4-16 January 2027, the tournament is a highlight of the Auckland summer, combining world-class professional tennis with a relaxed, vibrant atmosphere, great food and hospitality, and plenty for fans to enjoy both on and off court. 

Tickets on sale now: https://asbclassic.co.nz/

DAY WE RAN ANNOUNCE NEW ZEALAND SHOW AFTER SOLD OUT AUNZ TOUR

Celebrating the release of their debut EP, Day We Ran are stoked to be back for another show in New Zealand, following their sold-out AUS/NZ tour in early 2026.

After selling out their tour earlier this year, the guitar-driven alternative rock band return to the stage, bringing their anthemic sound, driving riffs and soaring harmonies to fans across the region.

Day We Ran will be performing at The Tuning Fork in Auckland on Sunday 27 December.

The return comes at a huge moment for Day We Ran, who have continued their rapid international rise throughout 2026. With festival appearances at Outside Lands, Lollapalooza and Reading & Leeds, the band have been making their mark on some of the world's biggest stages.

Known for their energetic live shows and distinctive guitar-driven sound, Day We Ran have quickly built a dedicated global following. Their debut EP, Naked At Your Door, was released in July 2026, marking another milestone for the rapidly rising band.

With more than 1 million monthly listeners on Spotify and over 50 million streams across their first four songs, Day We Ran have established themselves as one of the most exciting emerging alternative rock acts on the international stage. Their breakout single “Foaming” has surpassed 23 million Spotify streams, while also featuring in the hit Netflix series Outer Banks.

The upcoming New Zealand show will see Day We Ran giving fans another chance to experience their distinctive blend of guitar-driven alternative rock, soaring harmonies and cinematic storytelling live.

Tickets Day We Ran will be available to purchase by the General Public on Thursday August 27 at 12pm local time. 

An artist presale will commence on Wednesday 26 August at 12pm running until Thursday 27 August at 11am local time.

The Live Nation Presale starts Wednesday 26 August at 12pm until Thursday 27 August at 11am local time or until allocation is exhausted. To purchase presale tickets, sign up now at livenation.co.nz/register

Tickets and further information at livenation.co.nz
 

DAY WE RAN
AUSTRALIA & NEW ZEALAND 2026

THE TUNING FORK, AUCKLAND
SUNDAY 27 DECEMBER

TICKETS ON SALE THURSDAY 27 AUGUST, 12PM NZST
Artist Presale: Wednesday 26 August 12pm, until Thursday 27 August 11am local time.
Live Nation Presale: Wednesday 26 August 12pm, until Thursday 27 August 11am local time.

For complete tour & ticket information, visit: livenation.co.nz
 

ABOUT DAY WE RAN
Day We Ran is a guitar-driven alternative rock band creating their own world of anthem rock, built around driving riffs, three-part harmonies and story-driven melodies.

Following a year supporting the likes of Sam Fender and The Kooks on their UK Arena Tour, 2026 has seen the band embark on their debut headline tour across North America, alongside a major international touring schedule.

With over 1 million monthly listeners on Spotify, Day We Ran’s first four songs have reached more than 50 million streams, with debut single “Foaming” surpassing 23 million Spotify streams. The track has also featured in the hit Netflix series Outer Banks and on Apple Music’s Viral Alternative playlist.

Their debut EP, Naked At Your Door, arrived in July 2026, featuring six tracks including “Lady”, “Carolina”, “Used To”, “Seeing Colour” and “Tell Me I’m Wrong”.    

With a distinctive visual identity, cinematic storytelling and an unmistakable sonic approach, Day We Ran continue to build a dedicated following both locally and internationally.
 

MISS SAIGON TO TAKE CENTRE STAGE IN CONCERT PRODUCTION IN WELLINGTON AND AUCKLAND IN 2027

One of the world’s most powerful and enduring musicals, Miss Saigon, comes to life in Aotearoa in 2027, with G&T Productions presenting a spectacular semi-staged concert production in Wellington and Auckland.
 
The production will open in Wellington at the Michael Fowler Centre from Friday 12th March, before heading to Auckland’s Kiri Te Kanawa Theatre from Friday 2nd April, bringing the epic score of Miss Saigon to life through the incredible NZ talent touring to both centres, a 40-strong local choir and a live orchestra.
 
Created by the legendary songwriting team behind Les Misérables, Claude-Michel Schönberg and Alain Boublil, Miss Saigon is a sweeping tragedy of love, sacrifice and survival set against the turmoil of the Vietnam War.
 
At its heart is the story of Kim, a young Vietnamese woman who falls in love with American soldier Chris. When Saigon falls, they are separated, leaving Kim to raise their son alone and wait for Chris to return. Their story unfolds alongside the Engineer, a ruthless survivor determined to escape Vietnam in pursuit of his own version of the “American Dream”.
 
The roles of Kim and the Engineer will be played by Maya Handa Naff and Kyle Chuen, bringing extensive musical theatre and stage experience to two of the production’s central characters. Handa Naff, an American actress now based in Aotearoa, has previously played Kim in the United States. Additionally, Laurence Mossman will take on the role of Thuy, returning “home” to New Zealand after playing the role in the Australian and international tours of Miss Saigon.
 
G&T Productions producer Grant Meese says the concert format offers audiences a unique opportunity to experience the extraordinary score of Miss Saigon in a way that puts its music and performers front and centre: “There is something incredibly powerful about hearing this music performed live by an exceptional orchestra, a large choir and some of New Zealand’s finest musical theatre talent. We can’t wait to bring this production to audiences in Wellington and Auckland in 2027.”
 
Director Hamish Mouat says: “Our concert series is about celebrating the music that brings the story of these stunning shows to life. With Miss Saigon, we have an extraordinary score, incredible vocal arrangements and some of the most moving musical theatre ever written. After being absent for over 15 years from Wellington and Auckland’s stages, Miss Saigon in Concert is the must-see musical of 2027.”
 
Miss Saigon will feature an epic score including some of musical theatre’s most recognisable songs, including I’d Give My Life for You, Why God Why, Bui Doi and The Movie in My Mind.
 
The production marks G&T Productions’ third concert-style musical following Chess in 2022 and The Music Man in 2023, both staged at the Kiri Te Kanawa Theatre. It will be the company’s first concert production to be presented in both Wellington and Auckland.  Following on from recent successful collaborations, G&T Productions' is proud to be partnering with both Capital Theatre Trust in Wellington and North Shore Music Theatre in Auckland in presenting this concert production.
 
Further casting announcements will follow at a later date, with local choir and orchestra members joining the production in each city.
 
Miss Saigon will be presented in Wellington at the Michael Fowler Centre from 12th March, before heading to Auckland’s Kiri Te Kanawa Theatre from 2nd April.
 
Tickets go on sale from 27th August at ticketmaster.co.nz

MISS SAIGON
Wellington – Michael Fowler Centre, 12 - 21 March 2027
Auckland – Kiri Te Kanawa Theatre, 2 - 10 April 2027

Music by
CLAUDE-MICHEL SCHONBERG
Lyrics by
RICHARD MALTBY Jr. and ALAIN BOUBLIL
Adapted from the original French lyrics by
ALAIN BOUBLIL
 
Additional Material by RICHARD MALTBY Jr.
Orchestrations by WILLIAM D. BROHN
 
Originally produced on the stage by CAMERON MACKINTOSH
"Miss Saigon Licensed by Music Theatre International (Australasia) by arrangement with CAMERON MACKINTOSH LTD."

SABREEN ANNOUNCES SOPHOMORE EP FORGET ME WHEN I’M GONE, ALONGSIDE NEW SINGLE “LAND MINES”

One of the world’s most powerful and enduring musicals, Miss Saigon, comes to life in Aotearoa in 2027, with G&T Productions presenting a spectacular semi-staged concert production in Wellington and Auckland.
 
The production will open in Wellington at the Michael Fowler Centre from Friday 12th March, before heading to Auckland’s Kiri Te Kanawa Theatre from Friday 2nd April, bringing the epic score of Miss Saigon to life through the incredible NZ talent touring to both centres, a 40-strong local choir and a live orchestra.
 
Created by the legendary songwriting team behind Les Misérables, Claude-Michel Schönberg and Alain Boublil, Miss Saigon is a sweeping tragedy of love, sacrifice and survival set against the turmoil of the Vietnam War.
 
At its heart is the story of Kim, a young Vietnamese woman who falls in love with American soldier Chris. When Saigon falls, they are separated, leaving Kim to raise their son alone and wait for Chris to return. Their story unfolds alongside the Engineer, a ruthless survivor determined to escape Vietnam in pursuit of his own version of the “American Dream”.
 
The roles of Kim and the Engineer will be played by Maya Handa Naff and Kyle Chuen, bringing extensive musical theatre and stage experience to two of the production’s central characters. Handa Naff, an American actress now based in Aotearoa, has previously played Kim in the United States. Additionally, Laurence Mossman will take on the role of Thuy, returning “home” to New Zealand after playing the role in the Australian and international tours of Miss Saigon.
 
G&T Productions producer Grant Meese says the concert format offers audiences a unique opportunity to experience the extraordinary score of Miss Saigon in a way that puts its music and performers front and centre: “There is something incredibly powerful about hearing this music performed live by an exceptional orchestra, a large choir and some of New Zealand’s finest musical theatre talent. We can’t wait to bring this production to audiences in Wellington and Auckland in 2027.”
 
Director Hamish Mouat says: “Our concert series is about celebrating the music that brings the story of these stunning shows to life. With Miss Saigon, we have an extraordinary score, incredible vocal arrangements and some of the most moving musical theatre ever written. After being absent for over 15 years from Wellington and Auckland’s stages, Miss Saigon in Concert is the must-see musical of 2027.”
 
Miss Saigon will feature an epic score including some of musical theatre’s most recognisable songs, including I’d Give My Life for You, Why God Why, Bui Doi and The Movie in My Mind.
 
The production marks G&T Productions’ third concert-style musical following Chess in 2022 and The Music Man in 2023, both staged at the Kiri Te Kanawa Theatre. It will be the company’s first concert production to be presented in both Wellington and Auckland.  Following on from recent successful collaborations, G&T Productions' is proud to be partnering with both Capital Theatre Trust in Wellington and North Shore Music Theatre in Auckland in presenting this concert production.
 
Further casting announcements will follow at a later date, with local choir and orchestra members joining the production in each city.
 
Miss Saigon will be presented in Wellington at the Michael Fowler Centre from 12th March, before heading to Auckland’s Kiri Te Kanawa Theatre from 2nd April.
 
Tickets go on sale from 27th August at ticketmaster.co.nz

MISS SAIGON
Wellington – Michael Fowler Centre, 12 - 21 March 2027
Auckland – Kiri Te Kanawa Theatre, 2 - 10 April 2027

Music by
CLAUDE-MICHEL SCHONBERG
Lyrics by
RICHARD MALTBY Jr. and ALAIN BOUBLIL
Adapted from the original French lyrics by
ALAIN BOUBLIL
 
Additional Material by RICHARD MALTBY Jr.
Orchestrations by WILLIAM D. BROHN
 
Originally produced on the stage by CAMERON MACKINTOSH
"Miss Saigon Licensed by Music Theatre International (Australasia) by arrangement with CAMERON MACKINTOSH LTD."

JORDAN HUNTER HYLAND ANNOUNCES DEBUT EP WASTE WITH INTIMATE LEAD SINGLE

By day, Jordan Hunter Hyland works as a doctor in Auckland. Outside the hospital, he's spent a lifetime writing songs. Now, after years of balancing medicine with music, the 28-year-old is introducing himself as one of New Zealand's most compelling new indie singer-songwriters with the announcement of his debut EP, Waste, and its haunting lead single of the same name, arriving Saturday 15 August.

Written during a transformative two-year period, Waste emerged as Hyland navigated losing his passion for medicine before gradually rediscovering it alongside a renewed belief in his own creative voice. The result is a deeply personal four-track collection that explores grief, addiction, isolation and the often unspoken thoughts that connect us all.

The EP's first single, 'Waste', offers an intimate introduction to Hyland's stripped-back songwriting. Produced by Chris Perry, the lo-fi track pairs understated instrumentation with quietly devastating lyricism, capturing the emotional weight of feeling disconnected from yourself while searching for a way forward.

Jordan says:

“I didn’t really know how to talk about what was going on, so I wrote songs instead. ‘Waste’ is the first one because it’s the one that doesn’t flinch, it just says it. I don’t know what people will get out of it. I just needed to get it out"

Produced by Chris Perry, Waste allows Hyland's vulnerable songwriting to take centre stage. Across four tracks, he writes with remarkable honesty, finding beauty in life's quieter moments and giving voice to emotions that often go unspoken.

With Waste, Jordan Hunter Hyland marks the arrival of a thoughtful new songwriter whose experiences in medicine and music have combined to create an affecting debut that lingers long after the final note.

'Waste' is available tomorrow, August 15, on all streaming platforms. Presave here!The full EP, Waste, will be released in September 2026.

Waste EP Tracklisting - Jordan Hunter Hyland
Waste
Amphetamines
Open Air
Tryna Drive

Stay connected with Jordan Hunter Hyland:
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DAVE HILL ANNOUNCED AS ADDITIONAL SPECIAL GUEST FOR A PERFECT CIRCLE'S NEW ZEALAND SHOW

Live Nation has today announced acclaimed comedian, musician, writer and actor Dave Hill will join as a special guest on A Perfect Circle's highly anticipated New Zealand tour date this December, alongside previously announced Puscifer.

Hill joins A Perfect Circle's tour following his standout run supporting Puscifer across their 32-date Normal Isn't North American tour earlier this year, bringing his one-of-a-kind blend of stand-up, storytelling and live music to audiences ahead of A Perfect Circle each night.

Originally from Cleveland and now based in New York City, Hill has built an international reputation as one of alternative comedy's most distinctive voices. Described by TheAtlantic as "one of the funniest people alive", his genre-defying live performances fuse comedy, rock music and absurdist storytelling into a show unlike anything else on the road today.

Beyond the stage, Hill has appeared in Unbreakable Kimmy Schmidt, Girls5eva, Inside Amy Schumer, Joe Pera Talks With You, After Midnight, Full Frontal with Samantha Beeand numerous other television productions. He is also a regular contributor to This American Life and Malcolm Gladwell's Revisionist History podcast, where he serves as the resident heavy metal expert.

A lifelong musician, Hill fronts the rock band Valley Lodge, whose track 'Go' has become instantly recognisable as the long-running theme song for HBO's Last Week Tonight with John Oliver. He has also shared stages with the likes of Tenacious D, Bill Murray and His Blood Brothers, Broken Social Scene, Snoop Dogg, Quicksand and more, while continuing to release music, write books and perform sold-out shows around the world.

Formed in 1999 by guitarist Billy Howerdel and Tool vocalist Maynard James Keenan, A Perfect Circle will return to New Zealand for the first time in 22 years this December.

Across a career spanning more than 25 years, the band has released four acclaimed studio albums, including their landmark debut Mer de Noms, which featured enduring fan favourites "Judith" and "3 Libras", alongside Thirteenth Step, eMOTIVe and Eat the Elephant. Renowned for their powerful live performances, A Perfect Circle have headlined festivals worldwide and sold out iconic venues including Madison Square Garden, the Hollywood Bowl and Red Rocks Amphitheatre.

Don't miss the chance to experience an unforgettable night featuring one of rock's most influential bands alongside one of alternative comedy's most original performers.

A PERFECT CIRCLE
NEW ZEALAND 2026
Presented by Live Nation

WITH SPECIAL GUESTS PUSCIFER & DAVE HILL

Spark Arena, Auckland
Sunday 13 December - Low Tickets

Tickets on sale now.

For complete tour and ticket information, visit livenation.co.nz

FIRST ARTISTS REVEALED FOR MĀNUKA PHUEL SYNTHONY FESTIVAL 2027

Duco Touring has today revealed the first wave of artists set to take the stage at Mānuka Phuel SYNTHONY Festival, returning to Auckland Domain on Saturday 20 March 2027.
 
The first lineup announcement brings together international and New Zealand heavyweights, led by legendary British DJ and dance music pioneer Paul Oakenfold (UK), “Daytime Disco” five-piece Poolside (USA) making their New Zealand debut, New Zealand powerhouse L.A.B, multi award-winning Kiwi artist Ladyhawke, and one of Aotearoa’s fastest-rising acts, Corrella — alongside the festival’s spectacular headline experience, SYNTHONY.
 
Leading the announcement is one of the most influential names in electronic music, Paul Oakenfold. Widely regarded as one of the godfathers of modern dance music, the British DJ, producer and remixer has spent more than three decades shaping club culture around the world. Having remixed over 100 artists including U2, Madonna, Moby, Britney Spears, Massive Attack, New Order, The Rolling Stones and Michael Jackson, Oakenfold's impact on electronic music is unrivalled.
 
Los Angeles-based Poolside, are confirmed to bring their signature "Daytime Disco" sound to Auckland for their first appearance in New Zealand. Created by producer, songwriter and multi-instrumentalist Jeffrey Paradise, Poolside have built a global following through their sun-soaked blend of disco, funk and electronic music. Their acclaimed live show combines the groove of disco with the energy of a full live band, following appearances at some of the world's biggest festivals including Coachella, Primavera, Lollapalooza and Outside Lands.
 
Joining the lineup are L.A.B, one of New Zealand’s biggest and most successful acts and a powerhouse of the Australasian live music scene. Selling out arenas and major outdoor shows across New Zealand and Australia, L.A.B have built a formidable reputation around an unmistakable fusion of reggae, soul, funk, blues and electronic music. Armed with multiple mega hits, huge singalongs and an explosive live show, expect banger after banger when L.A.B hit the main stage.
 
Kiwi artist Ladyhawke also joins the lineup. Since bursting onto the international scene in 2008,  Ladyhawke has built an acclaimed career on irresistible pop hooks, and electro-pop anthems. With multiple Aotearoa Music Awards, ARIA Awards and nominations spanning the BRIT Awards, MTV Awards and NME Awards, Ladyhawke has become one of New Zealand's most celebrated musical artists.
 
Corrella, one of New Zealand’s fastest-rising bands, complete the first artist announcement. Their breakout smash Blue Eyed Māori made New Zealand chart history as the longest-running #1 single on the Official NZ Singles Chart, while current chart hit Not I continues the band’s remarkable rise. Blending reggae, soul, funk and pop into an unmistakably Kiwi sound, Corrella have quickly established themselves as one of Aotearoa’s most exciting live acts.
 
Mayor of Auckland Wayne Brown says: "SYNTHONY has grown into one of Auckland's great homegrown events, and this lineup shows why. Auckland Council Events is proud to back a festival that brings world-class music to our city, showcases Kiwi talent, and gives people another great reason to come and experience all that Auckland has to offer."
 
This first announcement offers just a taste of what's to come, with more artists still to be revealed in the coming months.
 
Duco Touring Founder David Higgins says, “We’re excited to bring together such a strong first lineup of artists for Mānuka Phuel SYNTHONY Festival 2027. From a true pioneer like Paul Oakenfold and the New Zealand debut of Poolside, to some of Aotearoa’s most loved live acts including L.A.B, Ladyhawke and Corrella, this lineup has something for every kind of music fan.”
 
"Music reinvented meets the energy drink reinvented, that's why SYNTHONY was the first festival Mānuka Phuel ever supported. Now Mānuka Phuel SYNTHONY Festival 2027 arrives as we celebrate our second birthday and enter our third year in New Zealand, with L.A.B on the lineup - one of the best live acts New Zealand has produced and, along with Corrella, among the first Kiwi acts we ever got behind. It doesn't get more full circle than that.” says Alex McDonald, Co-Creator of Mānuka Phuel.
 
Tickets are on-sale now from SYNTHONY.com. Mānuka Phuel SYNTHONY Festival is proudly supported by Auckland Council Events.

MĀNUKA PHUEL SYNTHONY FESTIVAL
Saturday 20 March 2027
Auckland Domain

PAUL OAKENFOLD (UK)
POOLSIDE (USA)
L.A.B
LADYHAWKE
CORRELLA
SYNTHONY (NEW SET)

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